All posts by stevestevelovellidau
A Burnie Tale – Lad
‘Good for you Dad. Go for it and don’t care what anybody else thinks. It’s your life and she’s cool. She’s sorta like a second gran to me anyway. Who cares that she’s older than you? It’s none of their beeswax. Mr Fank’s gone, hasn’t he? There’s nothing stoppin’ ya now. After Mum and all that, you deserve some happiness. That’s what I say.’
That his daughter Shayla was okay about it meant the world to him. He had no notion what he’d have done had it been otherwise. And his own Mum – well she couldn’t be happier for him, even if she was more than a bit bemused by the fact that her only son was ‘doing it’ with her best mate. She thought it was all terrific, considering what they’d both been through. She told him that – told him he had her blessing. She reckoned her friend was coping so much better in recent weeks. She’d innocently put that down to the husband’s sudden departure, she had informed him with a raised eyebrow and a silly grin. He owed her for so much, his old dear. He knew his mum was the same age as his new love, but he tried not to dwell too much on that. He felt like it was all a fresh start, particularly after that game-breaking letter in the mail informing him that Bunnings, about to open up shop in his battered community, was prepared to take him on as a mature-aged nurseryman’s assistant. This was under some government scheme to get employment going again in Burnie. The town had taken so many hits in recent times. He hadn’t had a sniff of work since the richest man in the district had laid him off, as well as dozens of others, a couple of Christmases ago. He was feeling very frisky these days, making love at the drop of a hat – something that had also been missing in his life – not that it had been all that earth shattering during those years he was with Firecracker. With this vibrant lady he felt warm and fuzzy – to be having sex again – real loving, gentle, mutually satisfying sex – what a beautiful thing that was. He hadn’t felt like a proper man for so long – now he was fit to burst with the wonder of it all. When he thought back to where he was only eighteen months ago to now – well maybe he could even move out from his mum’s, not that living with her was all that bad. He sort of thought that his wonderful woman might invite him to come live with her down the track, but he wasn’t about to rush it. It was all still fairly tentative – they were still getting used to each other. It seemed he spent half his life nowadays around at hers in any case. It wouldn’t be too much of a stretch to ‘officially’ move in, but he had time – plenty of time. And to think, he had known her since he was knee high.
It didn’t last beyond that Christmas Day back in ’12 – his marriage, that is. A couple of mornings beforehand he’d found out that he’d lost his job. It was always at the back of his mind that he would, such was the economy in his part of the world. It was always his default position – that his luck couldn’t last forever. After all, that’d been the pattern of his life to date. Even though, in his more optimistic moments, he thought things had turned for the better, he could never really rid himself of the dread of another failure being just up ahead. He knew what was coming, that morning, when the ‘suits’ called the workforce together on the last working day of the year. They were duly and perfunctorily informed that a sizeable number would not becoming back in the new year. He knew he’d be tapped on the shoulder – and sure enough, he was told to clear out his locker at the end of the day. He foolishly stayed on for break-up drinks. He wished he hadn’t. He’d been off the grog for a while trying to tidy up his act for Shayla. He stayed because the worst bit was still to come – facing her with the news. Not Shayla – but his wife. A sick dread enveloped him back then. The telling still haunted him, in light of what happened afterwards, to this day. He never wanted that feeling again. Now, though, he could finally put all of it behind him.
He remembered looking out the window later that same morning, watching her depart, Shayla being dragged in her wake, howling. She hadn’t yet finished screaming and shouting at him in that foul language she used when matters didn’t go her way. His mates had labelled her a firecracker because of her vicious temper. Many of them had witnessed her volcanic eruptions first hand. She had browbeaten him for most of his time with her – she emasculated him. He loved that word – emasculated. Had to look it up in the dictionary when he’d first come across it after the split. It was the perfect word for what she’d done to him. Her tirade was going on, he knew, even as she opened the car door, even though he couldn’t really hear her now. He saw some bearded guy at the house opposite turn and stare as he was about to knock on the door. He didn’t know him, nor the couple that lived there in his Shorewell street. He’d watched the latter, seen the consideration towards each other in the way that they lived – knew that what they experienced was nothing like the relationship he shared with Firecracker. He envied them. He saw the guy shake his head, turn, ring the doorbell and be let in. He looked back to see his wife roar off down the street. He couldn’t really give a hoot about her – but Shayla? That was another matter. He spent the rest of the afternoon on mowing and tidying up around the garden to take his mind off it.
He didn’t hear from Merryl for a few days, so by late on the afternoon of Christmas Eve he knew he had to make the first move. That was something else he’d learnt. Give her a few days to calm down, she’d return and it would be a little better for a while. It wasn’t the first time she’d skedaddled off to her mum’s – so he knew where to ring. She answered and he asked if she was planning a visit the next day so Shayla could receive her pressies. He did actually think, when she arrived that Christmas Day, that there was some hope. Unusually he was kissed when she came in. Together they watched as their daughter discovered that her dreams had come true – he’d been able to afford, this year, the bike Shayla’d coveted. Merryl had taken his hand as they watched her ride it up and down the street for most of the afternoon. They had an evening meal of roast chook and vegies, spending the evening in front of the tele, sharing a bottle of cheap sparkly. That night they made love for the first time in aeons. He was half pissed and he was glad. He felt quite pleased these days with how he had trimmed down as a result of his gym work. In a sober state he would have found the way she had let herself go a difficulty he may have succumbed to. Still, it felt okay after so long. Was it possible, he thought, as he drifted off into the land of nod that, just maybe, it’d all get better?
He quickly had his answer. The next day it all changed. She was back! She arrived early. They’d just emerged from under the blankets and already she was ringing the doorbell. The same routine followed. He’d had years of it. In her mother marched, plonked herself down at the table and pulled out her fags. Firecracker couldn’t get to her usual chair opposite quick enough. She took the offered cigarette, lit up and away they went at their bitchin’, as he called it. He took himself out of it, headed off with Shayla and her bike down to the park where they stayed till tea time. On their return he found her mother still there, a cask of cheap plonk between them, together with several ashtrays of butts. Both were tanked. Merryl ordered him off to get fish ‘n’ chips for the evening meal. When the mother eventually left, staggering through the front door, he knew he had to have it out with Merryl, even if he was heading for dangerous territory. He couldn’t continue to live like this any more. He politely asked if she could take the bitchin’ – although he didn’t use that word – around to her mother’s house and do their drinking and fagging there. As he half expected, she let him have it, all guns blazing. He didn’t stay to listen, didn’t want to row with her yet again. He left. He had a mother too.
And he’d been with his mum ever since. Early on Merryl would ring every few days, asking him to return for his daughter’s sake. He’d simply put to her his original proposition. She wouldn’t budge and nor would he. Despite missing his girl, he was determined to see it through. Eventually his mother brokered some weekend visits from Shayla. This, in truth, made him happy enough. He kept himself active at the gym; watched his daughter’s weekend sports; took long walks around the town. Try as his might, there were just no jobs about for someone of his limited skills. He tried to keep positive. Drink-wise, he remained off the plonk – relegating himself to only a couple of beers when the footy was on. Often his mum’s oldest friend would join them to watch whatever was the match of the day.
He’d known this person since his days as a toddler, visiting his mum at her workplace, a Greek milk bar/take away down in the town. His mother had been employed by the lovely couple that ran it from the day she left Year 10 at fifteen. She quickly became very pally with the owner’s daughter who worked there, as well, after school. They were soon melded at the hip, as his mum always reminisced; that is, until her mate met Mr Frank. The couple later wed, with his mum as chief bridesmaid – a situation that was reversed when his his own father came on the scene. His dad was now long deceased. After he and his sister were born, his mother worked with her friend in the various shops the latter managed around the place, after the demise of the family business. When Mr Frank was at the footy or away, she was a constant visitor. He had always liked her. She was bright and lively, always giving him a hug when she saw him. Without fail, she always called him Lad.
Later on, when he’d grown and had become aware of such matters, he thought, for an old dame, she was pretty sexy compared to his own mum – a thought he very much kept to himself. She was at his marriage to Firecracker, but he’d seen little of her as his years of wedded unbliss stuttered along. Once he’d moved back into his old room all that changed. His mum worked as a carer these days – a job she loved, helping the elderly and disabled around the North West Coast. Several evenings a week she and her friend would get together around a few drinks and yak away. Neither smoked and it was ‘happy talk’, in the main, whilst he was around – so different to the ‘bitchin’ of the life he’d left behind. The women were both of the ‘half full’ nature.
Shayla started spending more and more time with him as well. Most days she’d hop off the bus down the road and visit for an hour or so to debrief before heading for home. She reckoned ‘Moanin Annie’, as she called her grandmother, was getting worse – taking her mother with her down into the pits of self-pity and aggrievement. Soon Shayla started staying on for meals as all they ate at home were takeaways from the local shop. He shared cooking duties with his mother – he enjoyed giving his daughter nourishing meals. Shayla had always been health conscious and knew a diet of grease was of little benefit, let alone the fug of cigarette smoke that pervaded where she and her mother resided. By now it was Shayla’s first year at high school – the same one he’d attended, up on the hill, all those years ago. At the recent sports day she was under-13 track champion. His girl was also travelling very sweetly in class, according to her teachers at the parents’ meeting he’d attended alone. He was so proud of her, his Shayla. She would never be like her mother and she, as well, inspired him to improve on his new found fitness too. As for running, she outrun the wind and it was beyond him where she attained that ability from. He loved pounding the pavements with her; he loved being with her, full stop.
Six months or so into his boarding with his mother he realised that Raissa has ceased her visiting – that he and her mother hadn’t seen her for weeks. When he asked about this, he was informed by his mum of Mr Frank’s heart troubles – of how he’d collapsed down in the town and had to go to Hobart for an operation. She and her hubby were back in Burnie now, with Raissa having to spend most of her time caring for him, having given up work to do so. When she eventually turned up, he was shocked by the change in her. She was noticeably thinner but, even more worrying, seemed to have lost all her bounce – that zest for life he so admired. For the first couple of visits she spent much of her time sobbing in his mother’s bedroom. On one occasion, when he opened the door to her, Raissa had grabbed him in a bear hug and stated, ‘I know now how you felt, Lad.’
After she left his mother confided that Mr Frank had told Raissa about his affair with a woman in Melbourne, just before he went under the knife. Mr F was evidently scared he wouldn’t come out the other side and wanted to come clean about his relationship with a woman called Judy. Raissa, he was told, thought the trips were all about the footy. It seems Mr Frank had been having his liaison for a decade or more.
As the following weeks rolled on by, Raissa spent more and more time in their home – as much of the downtime she could spare from her role as her husband’s carer – even coming around when his own mum was at work. He’d make her tea and they’d chat away – about Collingwood’s progress, Shayla and her own kids – whatever entered their minds. Slowly at first, but increasingly, it seemed she was recovering her vivacity. He remembers the day she said to him, ‘You’re good for me Lad. You take my mind off it.’ She never talked about Mr Frank, but from his mother he knew that all wasn’t well on that score. He had recovered okay from his health scare, but according to what Raissa had told his source, he was a morose shell of his former self. Raissa, his mum reported, had tried to forgive him for his fling across the Strait, but she also reckoned her hubby was pining for whoever it was over there. Raissa, in her heart, knew Mr Frank just couldn’t let the other woman go.
He wasn’t sure of how it happened, or why, but one day he found himself opening up to her about how, as a teenager, he had thought that, for an older woman, he found her just so sexy – like that Sophia Loren he’d see in the magazines of the time. ‘Do you still think that now, after all these years?’ she had queried him. Well that threw him! He didn’t know what to say – she was his mother’s best friend and all that. It had never occurred to him to examine his feelings for her these days. ‘I can see that I’ve embarrassed you, Lad. Don’t worry about it. I’m just a silly old woman. I mean no harm and don’t concern yourself, I’ll never try to cotton on you. I know your mum’s told you I’ve been having a bit of a hard time of it lately. With my hubby the way he is, I guess I’m just in need of a little TLC. We get on so well – please don’t let this change anything! Okay?’ When he nodded, she carried on, ‘Now Lad, how do you reckon those Magpies are going to perform at the weekend? Can we do those Roo boys?’
From that point on, though, he did give his feelings for her some of his attention. What she said had shocked him, it’s true – but the more he examined it, the more he realised it wasn’t an entirely unpleasant shock. She was quieter now when visiting, always making sure that his mother was in residence. Sadly, he felt the dynamics between them had changed. Now, even if he had wanted to do something about what she had put into his mind, it seemed the moment had passed. A couple of times, in her presence, he took the time to look at her – really look at her. This made him realise that, by his reaction to her question, he had missed an opportunity for something. What that something was, he wasn’t quite sure.
So it was a surprise when she turned up on the doorstep on a day when his old dear wasn’t at home. She stood there, red eyed and reported to him, ‘He’s gone. Gone to her,’ and promptly burst into tears. Then, perplexingly, her sobs turned into chortles of laughter. ‘Silly old bugger. He’ll find out the grass isn’t greener over there and if he wants to come back, with his tail between his legs – if he thinks I’ll have him back then, he’s got another bloody thing coming! That strumpet over there – she’s welcome to him. She’ll find he’s pretty clapped out anyway. Ah, that feels better, getting that off my chest. Now, how the hell are you Lad?’ He gestured for her to come inside and she accepted, heading off to the kitchen to put the kettle on.
Once they settled down at the table with their cuppas, she continued on, ‘Well I guess I can get on with my own life now, see what’s around the corner. I haven’t got to pander to him any more. By the way, Lad, I am sorry about being so forward the other week. I don’t know what came over me. It was the loneliness talking, I guess.’
Lad wasn’t going to let this moment pass. He confessed to her that he had indeed been thinking about it all too and that, yes, he stated with a nervous laugh, he did still find her sexy. He told her it was perhaps in a different way – not as fervently as in his youth, but yep, to him she was still a gorgeous woman. He reached out his hand and she took it, then his mum’s bestie leaned forward to give him a gentle kiss on the lips. Speak of the devil, just as he was thinking about his next move, he heard the key in the door – his mother had returned.
The next day she was at his door again, – but this time it was a different Raissa waiting to be let in. There were no red eyes. She had obviously spent a great deal of time on her appearance – tasteful make-up, accentuating her eyes; a smart dress, accentuating an ample amount of cleavage. She was definitely sexy now. He felt all that teenage fervour return. He knew this time how this encounter was going to end. He’d make sure of that. ‘Not bad for an old bird,’ she giggled as he took her hand and led her to his bedroom.
After she’d departed he felt a combination of elation and guilt – not guilt for the act itself, but because of the relationship Raissa had with his mother. Later on, he put that to one side and took to cyberspace, googling Sophia Loren. ‘Yes’, he thought, ‘Raissa stacks up pretty well against the older version of Sophia. And gee, it felt so good with her!’
They both agreed it would be safer to conduct their tryst at her place and he took to visiting her most days. When Raissa did show up and his mother was in residence, he could see that nothing had changed as far as that relationship was concerned. But he knew keeping stum couldn’t last, so one day he took the bit between his teeth, sat his mother down and confessed. His mother was a tad stunned at first, but then said that she’d figured something was afoot – that he had a spring in his step for the first time in ages. His mum then went to the blower to ring Raissa. She stayed on the phone for quite a while – a long chat with plenty of laughter. Lad uncrossed his fingers behind his back. It’d gone well.
The job coming up was the icing on the cake. With it and Raissa, maybe, just maybe, his life would turn out okay after all. Perhaps this time it wasn’t a false dawn. He wouldn’t have his cherished daughter forever. She’d go out and make a name for herself – of that he was certain. He suspected that eventually Raissa would move on too. She kept going on about how she was too old for him – but when she wrapped her body around his – so voluptuous, caramel coloured and warm – it certainly didn’t feel that way to him. She’d put the weight back on she’d lost around the time of her husband’s illness and looked all the better, to him, for doing so. She, though, complained about becoming a contented old cow. He knew she would never let herself get to the size of his now officially former wife. Raissa was too proud for that!
And then there was the tucker – the glorious Greek food she virtually force-fed him with. He was working doubly hard at the gym so as not to go back to what he was like before – and each weekend he’d be out pounding the bitumen with Shayla. Together they’d often enter fun runs, as well as, of course, the annual Burnie Ten.
More and more he was spending nights at Raissa’s place. He loved it. After he had had his fill of her stupendous cooking and they’d shared a glass or two – no more – of red, Raissa would excuse herself, go to her bedroom and put on something satiny and slinky. They’d settle down to some tele or snuggle up to some music. When the time came she would take his hand and guide him into the bedroom and undress him. Invariably she would whisper into his ear, ‘Now Lad, tell me once again about Sophia Loren. Tell me how like her I am. Tell me how sexy I am, just one more time.’
The prequel to this tale = http://blueroomriversidedrive.blogspot.com.au/2012/12/a-fairy-tale-not-of-new-york.html
Glorious Blooms
Leaving Suzie Pye – John Dale
Suzie Pye is like many who leave it till later in life to produce progeny. Presumably spending the prime childbearing years shoring up a career in the professional world, she, at just past the fifty mark, finds herself time poor to the max. On top of the demands of coping with the vagaries of teenagerdom, she still aspires to promotion in the workplace. To top it off, she is the carer for her ex-hubby. He’s has lost the plot and retreated to his man-cave. If all this wasn’t enough, her lover is a doofus.
She picks up those to share her bed and body where she can – in the halls of academia or, as in the case of her latest, wielding the tongs at a Bunnings car park sausage sizzle. At first it all goes swimmingly. He is just what the doctor ordered in the sack and they’ve agreed it’s no strings. But it doesn’t go to plan – Sausage Man falls in love as well as lust with her. That’s not on Suzie’s agenda, especially as he is seemingly at a frantic pace to get his end in on every conceivable occasion. It’s all too much and SM is given his marching orders. This only results in an increase on his part of plaintive appeals for more sex, so our university professor, Ms Pye, goes off and finds herself another option. Even this fails to put SM off completely, although he gradually withdraws from her immediate orb.
It is at this point, about a third of the way through Dale’s novel, that we largely take our leave of Suzie Pye as the narrative is not really about this interesting female protagonist. It’s about Joe, aka Sausage Man. It is a pity. I liked her.
In his mind our hero does have a great deal of trouble moving on from Suzie. You see she provided a steady supply of sex for Joe – where was he to get that from now? Like his unwilling goddess, he is also not in the first bloom of youth, approaching his half century. And sadly, he lives for sex. He cannot do without it – it’s the deliciousness of expectation and the exquisiteness of consummation that so overridingly appeals to him. You may say, particularly if you are of the female persuasion, that this is what drives most men. For the average bloke, though, you’d be wrong. There’s grog, tucker, the footy, cars and maybe even the job to consider as well. Most of us, here in the realm of the weaker gender, are capable of taking our minds off sex for at least some of the time, but not Joe. Sex is the be all and end all – especially as his future is taken care of as soon as his old man carks it. Then he’ll receive a share of the old guy’s tidy fortune. Ah, if only life was that simple!
As it dawns on him that it’s all over between Suzie and his penis, despite the fact he loves her, Joe starts to look elsewhere. Unfortunately there doesn’t seem any other available candidates to service his needs. With the inheritance there would be a termination to his dead end job. With it still a necessity he wallows through his days handing out digital equipment to undergraduates in a university tower. He alleviates the monotony by casting his eye over the nubile young things that approach his counter – in his favour he’s not sleazy enough to do anything more than appraise – and composing erotic missives to Ms Pye on his work computer. Once he’s ‘in the money’, of course, he’ll be free to chase skirt to his heart’s content. Then he discovers it is also not as clear cut with his cancer stricken father as he initially thought. And those emails to his former lover come back to haunt him big time, landing him in deep do-do.
This publication has some of the same verve as the recently read ‘Animal Children’ by Charlotte Wood – although even Joe isn’t quite as hopeless in life as the hapless Steve in that story. ‘Leaving Suzie Pye’ also has a wider scope in both time and place. Joe’s journey to bed a woman and appease his father takes him from a Sydney Muslim virgin to the mysterious Athena, whom he meets en route to Gallipoli. Chasing her he ends up in some very tricky confrontations with the underbelly low-life of Istanbul where Dale’s main calling, as a crime writer of some note, kicks in to a degree.
This, though, is essentially a love story and is quite adroitly handled by Dale. Despite Joe’s constant yearnings to satisfy his carnal inclinations, the actual act itself doesn’t figure prominently and we do see some growth in him as his journey proceeds. He still teaches English to the Muslim refugee, even when it becomes obvious he’s not about to have his way with her. And at last he reconnects with his father, even if it’s after the latter’s death. This is an eminently readable take on the fluctuations of relationships and of not knowing what may lay just around the corner, that is, if your mind is open enough to take a chance. The writing flows even if the story line stretches the boundaries of credibility on occasions. But then, as the adage goes – ‘shit happens’. One factor that just doesn’t change is the allure of Suzie Pye ‘…, the touch of her hand, the warmth of her thighs, the eagerness of her lips.’ Suzie Pye takes a bit of getting over.
John Dale’s website = http://www.john-dale.net/
Amidst the Green
Rescue – Anita Shreve
Good friends of ours have done it – remaining together till this day and raising three fine lads to adulthood to boot. A beautiful work colleague has done it as well, tying the knot to Rod Stewart’s rendition of ‘Have I told You Lately’. And Anita Shreve has done it too – married a childhood sweetheart, but after a convoluted journey.
She met John Osborn at a summer camp when she was a mere 13 years old. During this period of time in their relationship they merely held hands – didn’t even kiss. When they went their separate ways at the end of summer the tyranny of distance intervened and they lost touch. In 1991 Shreve published her second novel, ‘Strange Fits of Passion’. John espied it in a bookshop, recognised the name and on a whim, wrote to Shreve’s publisher. The author by this stage had two marriages behind her and was in another relationship when her editor handed her the letter. ‘Did she remember him?’ the letter-writer had queried. She did. She had thought of him many times down through the decades, wondering. She initiated a correspondence between them that lasted for several months before they eventually met. It wasn’t long before they knew – the chemistry they first discerned as children hadn’t abated. They had to disentangle themselves from their partners, but eventually they too wed childhood sweethearts.
Anita’s own romantic story would make good fodder for one of her own novels. Her life experience is perhaps one of the reasons she has been so successful for such a long time. She knows the heights and pitfalls of love so well. Sometimes it just simply has to be that convoluted journey before the right one is found or, as with her, comes back into one’s life. Sometimes it is just simply there forever.
It is essentially romantic fiction she writes – both historical and contemporary. She has the knack of producing page-turners with just the right amount of literary merit so as not to make them merely disposable as, say, Nicholas Sparks. She is perhaps the US equivalent to somebody like Joanna Trollope. She can build a sense of place exceedingly well, particularly if it is in her own north-east corner of the States – and even more so if the magic ingredient of the sea is included. ‘The Weight of Water’ and ‘Fortune’s Rocks’ are two fine examples of the latter. Her work is often pigeon-holed as women’s fiction as she writes of her own gender with such vivacity and knowingness.
With ‘Rescue’ she breaks the mould somewhat as it is a paramedic, in John Webster, who takes centre stage. There is not much of the sea, either, involved here, although it does have a Vermont setting. Webster falls for one of his rescuees in the wild-child Sheila – choc-full of spunk and demons. For a while our hero tames her and together they produce a female child, Rowan. But it all becomes too much, this small town life. Sheila drowns her post-natal blues in grog, to the extent that hubby is forced to give her her marching orders for the sake of the baby girl. He takes on the onerous task of single dad-dom, making a fair fist of it, But oh, those dreaded teenage years! Darling daughter begins to display, during these, the same symptoms that wrecked her mother’s life. Who should her father call on for assistance when eventually he reaches his wits’ end? You can probably guess that.
Throughout the story there are vignettes about the pointy end of a paramedic’s life. There is as much interest in these as there is in how the main narrative will pan out – all to Shreve’s credit. A highlight is the black humour found in a failed suicide attempt.
Shreve is in fine form here with ‘Rescue’ being up there with her accessible best – with ‘Testimony’, ‘A Wedding in December’, ‘All He Ever Wanted’ and ‘Resistance’. Occasionally, she does get a little too heavy handed with literary pretensions which provide roadblocks to the enjoyment of some of her oeuvre, but not so here. This is just darn good, straight forward storytelling, ideal for a beach holiday, that long flight or as a salve between weightier tomes. In it John Webster’s love unravels – but will he be able to make it whole again? It is worth reading to find out.
Anita Shreve’s website = http://www.anitashreve.com/
Flower Power
You Don't Know Me
You give your hand to me
Then you say hello
I can hardly speak
My heart is beating so
And anyone can tell
You think you know me well
But you don’t know me
Look at her picture. It’s of its time, but there’s no doubt the dame is one beautiful lady – and talented to boot. She gave up the above lyrics to the world, to be recorded by hundreds of singers planet wide. You name them, they’ve done it – Willie, Ray Charles, Michael Bublé – the list is endless. Down though the years it will be added to. It’s just one of those songs. If one classic wasn’t enough, there are her other offerings – five hundred or so that have been recorded, including such timeless ditties as ‘Distant Drums’, Dream Baby’ and ‘In the Misty Moonlight’. She was inducted into the Country Music Hall of Fame in 1997 and in 2006 Willie released a tribute album of her songs – just nine days before she passed away.
Of course we know the facts about CindyWalker’s public career, but precious little of her private world. In 1918 a Texan farm saw her birth. By the 1930s, as a young girl, she was already writing songs about Dustbowl America. By decade’s end Cindy was also a popular chanteuse in her local area. In 1940 she was so determined to further her career she took the long drive to LA, straight to Bing Central, hopped out of her car and demanded that Crosby himself listen to her latest tunes. He didn’t, but somebody did and soon ‘Lone Star Trail’ made it to the great crooner. He was impressed, recorded it and she was on her way, Walker soon had a gig on Gene Autry’s show with such luminaries as Bob Wills, Webb Pierce and Eddy Arnold having her songs on the airwaves. In later times came Elvis, The Byrds, Chet Atkins, Jim Reeves, Roy Orbison and more.
For me, though, her signature song is ‘You Don’t Know Me’. It could have been about her own self – how she kept her feelings under wraps; how she was notoriously private. Then again, it could be about any of us who like to keep our personal doings closely guarded; who prefer anonymity to notoriety.
The now standard first hit the charts in 1956 with Jerry Vale, but these days it seems that Ray Charles ‘owns’ it. Mickey Gilley had a Number 1 with it in 1981. Meryl Streep sang it in the movies during ‘Post Cards from the Edge’, as did Robert Downey Jr in ‘Two Girls and a Guy’. It featured in ‘Caddyshack’ and recently, Lizzy Caplin trilled it on the small screen in ‘Masters of Sex’.
Ms Walker hid away from public view, particularly when her stage appearances decreased as the royalties for her songs went in the opposite direction. She revealed in later life that she was once married for a short time, but it didn’t suit her. She did not appear to have any other lasting relationships of a romantic nature. She lived with her father, in humble circumstances in small town Texas, for a long time – he helping out with the lyrics to her music. After his demise, in 1991, she further withdrew into herself. No, we didn’t really know her, or who she was referencing, if anybody, in this example of her iconic songsmithery –
No you don’t know the one
Who dreams of you each night
And longs to kiss your lips
And longs to hold you tight
To you I’m just a friend
That’s all I’ve ever been
No you don’t know me
Eddy Arnold was the guy who came up with the idea for the song. Was it the country superstar she had in mind when she added the bones to his notion for this paean to unrequited love? We know Eddy was married to his sweetheart Sally for an incredible sixty-six years. Is there more to know?
To me the version of her tune that moves me the most is that by Charlie Rich. It is the second track on an album entitled ‘Pictures and Paintings’, recorded in 1992 during the twilight of the Silver Fox’s career.. This collection of covers, purchased several decades ago, would have to be the CD that has graced my various music machines the most down through the years, with the Walker contribution the stand out. The whole album is a marked contrast to his mega hits of the early seventies – ‘Behind Closed Doors’, ‘The Most Beautiful Girl’ and ‘A Very Special Love Song’. He hated his music career – country was by no means his first love. By mid-decade he was totally disenchanted with Nashville and what his label did to his songs, increasingly embellishing them with massed strings rather than guitars. Instead of joining Willie, Waylon and others, also similarly pissed off, in becoming ‘outlaws’, he turned to the grog. He embarrassed himself at one awards ceremony when, very drunk, he insulted John Denver, whose music he considered too pop to be country. He came to be regarded as unreliable by those with the power behind the scenes. He struggled on, having a couple more hits, notably ‘Rolling With the Flow’, but alcohol and frustration eventually forced him into semi-retirement. Now Rich was free to turn to the music he loved best – jazz and blues. He became a lounge singer. Eventually a record company agreed to take a chance on him in this style and thus, we have ‘Pictures and Paintings’. This bought him some critical acclaim but only moderate sales – just enough for him to take to the road for the last time. Surprisingly, in this, Tom Waits was his support act. The come-back he’d hoped for didn’t last. He went back to self-imposed obscurity. Travelling to a Freddy Fender concert in 1995, he stopped off at an inn en route and The Silver Fox passed away in his sleep. The year was 1995. He was 62.
Listening to the album, one can only agree with the inestimable Mr Waits, who made mention of him in his song ‘Putnam County’
The studio’s spitting out Charlie Rich
He sure can sing, that son of a bitch
I wonder if it is still available, this collection I love – certainly no ‘Pictures and Postcards’ were listed on eBay when I checked. It is a beautiful set of tunes without a dud on it. Listening to it you can picture Rich at the piano, his silver mane ascendant; his gnarled, hoary hands coaxing the ivories, surrounded by a smoky fug. He loathed the happy, poppy stuff that dominated the charts throughout most of his Nashville years – now he was in his element. With ‘You Don’t Know Me’ he could almost be giving the Nashville Sound the ‘bird’ for what it tried to turn him into.
Back when he started with Sam Phillips, at Sun, in the mid-fifties, the legendary producer loved the jazz infused stuff Rich pitched to him, but told him to go away and get countrified. His style, well it simply would never sell records up against this new fad rock ‘n’ roll or country. Charlie did as he was told, to the degree that Phillips thought he’d have a bigger career than Elvis. Sam Phillips wasn’t wrong very often. Apart from a brief window, Charlie never came close. It wasn’t for lack of talent – it was just that Country Music City neutered him. The real Silver Fox only appeared on this last issue – by then it was all over bar the shouting:-
Afraid and shy
I’ve let my chance go by
The chance that you might
Love me too
Cindy singing ‘You Don’t Know Me’ = https://www.youtube.com/watch?v=TsoQ945fqkY
Charlie singing ‘You Don’t Know Me’ = https://www.youtube.com/watch?v=GRDdz7DS3tI
Orchid Blooms
Love in the Autumn of Life
There’s to be another ‘Exotic Marigold Hotel’ with Richard Gere added to the returning cast to give the sequel even more pulling power. All of us of a certain age will flood to the multiplexes to see that, no doubt! Finally film-makers are realising they’re on a gold mine appealing to the baby-boomer generation. Why trouble wasting millions on the fickleness of GenY with newly retired, sixty-pluses, looking for stuff to spend their children’s futures on, even if it’s only heading off to Gold Class for a splurge. Yes, the eye candy of Hollywood’s ever youthful ‘next big things’ is okay for us not quite geriatrics, but we also yearn to continue our journeys with those actors of substance that we have matured alongside, see them strut their stuff while they still can. There’s only so many taut young hotties flexing their six-packs or breasts we can take – we do not want to be constantly reminded of what once was! We also need something that reflects where we are in life as well. We need reminders that the scrapheap is still a little way away just yet and that even, at our age, we are still capable of adventurings of the heart and mind – just as long as they aren’t too much of a physical nature. We need to know that there are still silver linings to be experienced. And, unlike all our sons and daughters with their digital dexterity, as a rule we will leave laptops, ipads and other assorted gizmos to them and troop off to the cinema to have a collective experience doing so. Yes, there is a profit to be had showing us actors of a certain age finding love anew, or perhaps rekindling it in exotic locales. Three times this last fortnight I have left the comforts of the abode by the river to view the latest, in an increasingly crowded field, of that nature at my favourite North Hobart cinematic haunt.
The first viewed was ‘Le Weekend’, featuring an English couple – competently played by Jim Broadbent and Lindsay Duncan – who are attempting to recapture the zing of more romantic times by revisiting, where else but Paris – the City of Love. Meg still seems to have a bit of zest about her but poor old rumpled Nick has seen better days – he is a sad sack worn down by life. He’s a burnt out teacher having just lost his job giving a female student a reality check – not the done thing in this era of the need for hyper-senstivitiy to the delicate feelings of oncoming generation. The young miss complained and of course poor Nick was given his marching orders – not that Meg is aware of that. As their former honeymoon hotel is a disappointment, Meg throws caution to the wind and books into one of the city’s finest, with views to the Eiffel Tower no less. Nick trails disconsolately in her wake. Soon, though, Nick rouses himself and professes to be up for a bit of nookie. Meg is off hand in her rejections and at this stage the viewer feels that this cannot possibly end well. Enter Jeff Goldblum, playing a quirky former colleague of Nick’s, whom the couple accidentally come across. The trajectory of the narrative now starts to change course. He is married to a younger woman, this not helping matters with the older duo. Then Meg finds herself being propositioned by a man, decades more youthful, at a diner the Goldblum character invites them to. Whilst Meg is tempted, Nick also finds a soul mate of sorts and we soon find we have to revisit our feelings on just how it will all pan out. The answer is with a bit of naughtiness, but elaborating any further will let the cat out of the bag. Go see it and have a giggle – the humour is gentle and there’s plenty to like about ‘Le Weekend’.
Be warned, though – there is a scene that I felt was decidedly ‘off’ – and interestingly the venerable David agreed with me. I felt it was unnecessary and demeaning of the actors to expect it from them. Something similar occurred in ‘The Wolf of Wall Street’ and I had no problems with it – it could be expected in that excess of debauchery and the participants were much less than of a certain age – if that makes a difference. My daughter and my partner reckon I greatly resemble Mr Stratton in looks and gestures – perhaps I am beginning to think like him too!
The second, I thought, despite the critics demurring, was the most successful and entertaining of the three – yet it too had its faults. I think the reason I enjoyed it is that I just simply like Michael Caine. Of course, in my mind, he’s forever ‘Alfie’ and in this movie, ‘Mr Morgan’s Last Love’, we can conceivably see what may have become of that hedonistic young man in his dotage. Again the city was Paris – the scene where the old fella Matthew forces open a long closed window to reveal what a breathtaking view he has of the Eiffel Tower from his apartment is magic, as well as ridden with symbolism. You see, he’s just picked up a ‘bird’, to use Alfie speak, on a bus. Pauline – winsomely played by Clémence Poésy- was the problem for the critics though. What would a vibrant young thing like her see in a run down, aged crusty former American academic, still paralysed by grief from the death of his life partner? To me, this didn’t seem implausible at all – after all, on her part it was purely platonic, even if our hero was head over heels. What, to me, did not ring true at all was her falling, in turn, head over heels for his son Miles, a not overly pleasant character reeling from a busted marriage (great seeing ‘Weeds’ man Justin Kirk in another light). Matthew is not about to make a fool of himself with the young Parisian lass – although his son and daughter (the latter played in loathsome fashion by Gillian Anderson) don’t see it that way. Another of the critics, gripes was the cockneyism of Caine’s American accent – I agree, it was all over the shop. Surely it would have been simpler to have him play an Oxbridge ex!! Yes there were flaws, but it was satisfying viewing. We are never too old to have our heads turned by a pretty face, so long as it all is kept in perspective, as Matthew strove to do.
Gloria – what a force of nature she proved to be! Fervently and bravely played by 53 year old Chilean actress, Paulina Alfonso, this effort from the world’s most slimline country has gonged at festivals world-wide. She’s not over-attractive is Gloria, but is one of these character actors who possess a certain something, especially when she allows a radiant smile to light up her face. Not that, initially, she has too much to smile about. The singles’ scene is proving rather barren for her when she desires something more than dissolute one night stands. When one fellow, Rodolfo (Sergio Hernández), comes back for more, she feels she has finally lucked in and starts the head over heels stuff with him. He, unfortunately, is carrying a little too much baggage; still pandering to his former wife and his daughters, despite his obvious passion for Gloria. Eventually our heroine decides she has to drag herself out of the love-lorn abyss. This she does so spectacularly. She indulges herself in the mother of dummy spits, creating mayhem with a gun in one of the movie’s best scenes. The ending is most uplifting, almost having me dancing on my chair. Of course the eponymous song has to feature somewhere in all its pumping pomp. In ‘Gloria’ there’s unrestrained sex and nudity to be had as well, but as a paean to the pitfalls of love in the autumn years it provides a reality check – no saccharine Hollywood ending here.
No film exactly set the world alight, but each, in its own way, shook off the condescending tweeness that can afflict offerings of this ilk. In two of the three they weren’t afraid of depicting bedroom scenes and in all, even in the autumn of our years, they prove there are still glorious days to be had.
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