Monthly Archives: May 2014

Sex for Sale

There have been classics of the past using the titillating effect of having a central character being a purveyor of the world’s oldest profession. These movies, of course, to survive the test of time, had to possess more than disrobed bodies engaging in the act. They had to resonate for other reasons as well – for plenty of simply ‘doing it’ can be had on-line at home if that is your cup of tea and would eventually get to be a tad boring in a cinema house. It takes far more than that to drag me out, as did two offerings with the central premise of selling sex in recent weeks. Would they possess what made memorable entities of such fare as Catherine Deneuve in ‘Belle de Jour’, Jane Fonda in ‘Klute’, Richard Gere in ‘American Gigolo’, John Voight in ‘Midnight Cowboy’ or Julia Roberts in ‘Pretty Woman’? Then there was the moderately successful Aussie tele series ‘Satisfaction’ that lasted three seasons on our little screens.

Not that I was disappointed with the two that I viewed, but I doubt if they will have the staying power of those referred to above. John Turturro’s ‘Fading Gigolo’ and Francois Ozon’s ‘Young and Beautiful’, nonetheless, although very different beasts from each other, have had sound critical praise and were certainly worth the effort. They both possessed a degree of sexual activity and nudity, particularly the latter, but had much more going for them. I saw ‘Young and Beautiful’ at the cinema’s first showing for the day and was the only male present. The other attendees were a group of old darlings of my mother’s age who weren’t in the least fazed by the frank goings-on on the screen. I had no need to feel uncomfortable in their presence.

Now imagine, if you will, that you are an actor of some note but wouldn’t be the first choice on anyone’s list as a romantic lead, let alone a Gere-like figure who would naturally draw women to take off their clothes and pay for some horizontal delights. No you, John Turturro, would not immediately come to mind. So, perhaps feeling left out, with father-time a-ticking to be in any way credible in such a role, Turturro obviously saw the need to strike immediately rather than wait and hope. What should JT do, then, to realise his goal? Why, being a fellow of catholic skills, he would first write a plausible screenplay in which to cast himself as the lead, sign himself on to direct and then use a shared barber to convince Woody Allen to participate. The old hand would give his project the necessary gravitas and pulling power for the monied interests to invest. And he has pulled it off quite well. It’s more than a vanity project – it’s a darn good visual experience.

fading gigolo

With the streets of Brooklyn casting a burnished, honeyed glow to match its brownstones, the film sees Allen doing as he has done for years. He has his usual patter down pat, but he is more discerning with it in this role as the pimp for Turturro’s character, Virgil Harris. Allen revels as the gloriously named Dan Bongo. His usual nervous carping wouldn’t cut the mustard here. No, this is Turturro’s project, the rewards of which is that he gets to bed some gorgeous women of a certain age. Still sexy, in a mature way, Sharon Stone at one stage seems set to repeat her ‘Basic Instinct’ moment with her glorious pins. Doesn’t. For a bit of eye candy there is Columbian bombshell Sofia Vengara, but the main focus is soon on that gap-tooth delight, Vanessa Paradis. She plays the repressed ultra-Jewish goddess Avril. Under Virgil’s guidance she soon throws off her sexual shackles, even if Liev Schreiber, playing a sort of orthodox Jew cop, is silently in love with her. He is determined to keep her on the extreme straight and narrow. Who will attain her favour in the end – the gigolo or the cop?

fading gig

This is a bit of a caper, but in the main a quietly sensitive one. Despite his limitations in the looks department, Harris takes to his role as gigolo like a duck takes to water and it seems for him the money is soon secondary – despite Bongo’s best efforts to make it the central motivator. It is a deliciously appealing way to spend ninety minutes or so, as well as providing an entry into two worlds largely foreign to the average Joe. – Jewishness and providing sex for money.

The latter is precisely what Marine Vacth spends most of her time doing in ‘Young and Beautiful’. If nudity offends, then this is not the movie for you – although how anyone could be offended by this young actress’ blooming body would be beyond this scribe’s comprehension. More troubling was how it was salivated over by a procession of older men for the purposes of the narrative. The seventeen year old hooker does manage to develop some feelings for one of their number, played by Johan Leysen, with this forming one of the narrative drivers of the piece. The other thread is just why a girl still at school would be motivated to proceed on such a course when money is again seemingly secondary. Her earnings are simply stashed, but when the family finds out her vocational proclivities all hell breaks loose. Will they be able to cure her of her ‘addiction’?

young and b

This effort comes from a director, Ozon, who is one of the great purveyors of what makes French movie making so special. His oeuvre is always thought provoking, with this being in the same league. It is not the customary explanation that he provides for the actions of Vacth’s Isabelle – that of exploitation. She is strangely willing to be exploited – is addicted to it and it is an intriguing performance by the actress. For the most part she is disengaged from the sexual ‘treats’ she performs. Her little brother, conversely, takes an over-active interest in proceedings. All this is typically Ozon with this offering falling short of his best – especially ‘The Swimming Pool’ where he again glories in the body of a young actress, this time that belonging to Ludivine Sagnier, as well as that of veteran Charlotte Rampling. She has an affecting cameo in this too. Again, for those who appreciate quality art house product, this somewhat disconcerting peep into the lives of the French middle-class is still, nevertheless, worth the ticket price..

So there you have it. Sex for sale will continue to be a source of interest for film makers for many reasons, some of which could possibly be predominately voyeuristic. Still, with these two there are other layers that would prevent that finger being pointed in the direction of Turturro and Ozon.

Official site ‘Fading Gigolo’ = http://fadinggigolo-movie.com/

Trailer ‘Young and Beautiful’ = https://www.youtube.com/watch?v=IzSJ5mijWyA

Handyman

Monday night is better – so much better. No more clashes with the Saturday eve footy that invariably took me away from it – and her, the alluring Ms Z. Coupled with Ragnar Lothbrok and his murderously pillaging ‘Vikings’, a double dose of mayhem is provided by SBS, albeit with each being of a very different nature. Yes, I am more than happy to be a ‘RocKwiz’ devotee again.

If nothing else, this loose shambolic affair, being beamed into our welcoming homes from St Kilda’s grand old rock pub The Espy – Esplanade Hotel – has outlasted its more polished and structured – but nonetheless, still at, times hilarious – ABC cousin, the original ‘Spicks and Specks’. It will possibly survive that show’s second coming too. The latter is a brave attempt – but nothing can replace the golden trio of Hills, Warhurst and Brough (so pleasing to have the divine Myf back with us on DoubleJ). Auntie used to build its Wednesday night’s around the old vehicle. The punters loved it – its just not the same.

‘RocKwiz’ isstill going strong and hopefully that will forever remain so. It is essentially Julia’s show. She conducts those collected in front of the live audience with aplomb, somehow conjuring a beast of substance from ingredients pulling in divergent directions. There is a smooth lack of decorum and she keeps her panelists in thrall with her sassy, irreverent and oft flirtatious overtures. The gathered cohort of Melbourne tribes out front are chickenfeed – they are in the palm of her hand from the get go. Occasionally she lets slip some insights into the ‘real Julia’, but for more of that one needs to tune into the glorious ‘Agony’ franchise to see her in a more revelatory mood. Her two wingmen, the loquacious Nankervis and the hairy-armpitted roadie Dougal are cult figures. Over the twelve seasons a fantastic range of of local and overseas luminaries have displayed their vocal wares on the ‘RocKwiz’ stage. Then there is the always the eagerly anticipated culminating duet where the two ‘Who Can It Be’ guest panelists wrap their trills around a hoary standard. We could all sing the virtues of our own favourite combination with this – but for your scribe the pairing of Clare Bowditch /Tex Perkins on the Pogues’ Christmas staple ‘Fairytale of New York’ takes some beating.

JuliaZemiro.

So last Monday eve my DLP (Darling Loving Partner) and I had just finished being blissed out on our weekly fix of northern barbarians when we then hunkered down for Ms Zemiro to get the show up and running. This night one of the guest panelists, who sang her way on, I have taken a shine to of late – the former Taswegian Courtney Barnett, who now seems to be creating some overseas momentum as a singer-songwriter in the Dylan mode. Her duet with her male counterpart on the Velvet Underground’s ‘Sunday Morning’ was, I felt, quite sublime.

billy b and courtney

Now I have never been a huge fan of Billy – Billy Bragg – even if I greatly admire him. The sole album I have of his in my collection is his collaboration with Wilco on some previously unrecorded Woody Guthrie lyrics. ‘Mermaid Avenue’ is a favourite, but I haven’t taken to any other offering from his oeuvre. But on he marched, up to the mic on the platform and launched, accompanied by the ‘RocKwiz’ Orchestra (of three), into his ‘Handyman Blues’

I’m never gonna be the handyman around the house my father was
So don’t be asking me to hang a curtain rail for you, because
Screwdriver business just gets me confused
It takes me half an hour to change a fuse
And when I flicked the switch the lights all blew
I’m not your handyman

It was a good rendition. I looked over to the sofa, where my beloved DLP was in repose, to get her take on it, when on her delightful visage I espied a quizzical smile.
‘What?’ I chortled, ‘What?’
‘He’s singing your song darling,’ she retorted with a laugh – and indeed he was.

Don’t be expecting me to put up shelves or build a garden shed
But I can write a song that tells the world how much I love you instead
I’m not any good at pottery so let’s lose the ‘t’ and just shift back the ‘e’
And I’ll find a way to make my poetry build a roof over our heads

Putting pen to paper to build something around words is truly my idea of handyman-ing. My father’s DIY genes skipped a generation to my son. I love to write and I share that in common with my BTD (Beautiful Talented Daughter), who has done much more with her ability than I ever will with my far more humble word-smithery. I am just a scribbler, but now that retirement has finally provided me with some of that precious commodity, time, I can revel in my new addiction. And yep, on occasions Billy, I’ll have a go at poetry too!

I know it looks like I’m just reading the paper
But these ideas I’ll turn to gold dust later
Cause I’m a writer not a decorator…
I’m not your handyman

At times I do get down on myself for my lack of manly attributes, but fortunately my DLP accepts my limitations in the area and loves me anyway. Thankfully, she can more than capably wend a screwdriver or hammer, tinker under a car’s bonnet and knows what’s what in the garden weed department. As with Billy, it may be the daily rag that sets me off; or a movie at the State; a song that meant something to me once upon a time or, just simply, a tree standing on a hill. It doesn’t take much and I’m away. At this window where I’m sitting now I can view the Derwent flowing by and I am at peace – really in a good place, Billy – just me and some words.

Billy Bragg sings ‘Handy Man Blues  = https://www.youtube.com/watch?v=FZ8fPJ7zZSg

Billy and Courtney Barnett sing ‘Sunday Morning’  = https://www.youtube.com/watch?v=7Yg6xDAekPI

Clare Bowditch/Tex Perkins ‘Fairytale of New York’ = Clare Bowditch/Tex Perkins ‘Fairytale of New York’

 

 

 

There Could Never Be Too Much Kelly

She floored many a male, including this one, in ‘Mrs Henderson Presents’; is a constant in the ‘Sherlock Holmes’ series and has been described by the esteemed Times of London as ‘…theatrical Viagra…’ for some of her stage show performances. She is fearless, is Ms Reilly – this late thirties stunner who eschews the usual red carpet nonsense of stardom; rather devoting herself to improving her craft than to the trappings of fame – she’s no celebrity in the classic mode.

kelly

So I was anticipating delight when I marched off to the State to see this red headed, sublimely freckled English rose strut her chops in her third collaboration with French Director Cedric Kaplisch for ‘Chinese Puzzle’. This is the latest part of a trilogy that follows the lives of a coterie of Parisians in various world cities. There was no baring of Kelly’s beauteous body as occurred in MHP – this time all pleasures in that regard fell to the also distinctly alluring Cécile de France and her bed mate – but she charmed this fan to the max nonetheless. Kaplisch’s ‘Paris’ is another of his oeuvre that is worth seeking out and also stars Romain Duris, the male focus of ‘Chinese Puzzle’, who, along with the awesome Audrey Tatou, features in each of the director’s threesome that began with ‘The Spanish Apartment’. He then built on the first with ‘Russian Dolls’ (set in St Petersburg as well as the city of love on the Seine) and now we see our lead man battling the forties in this culmination to date. It is a treat revisiting these characters and being privy to the continuation of their personal journeys, beginning in Barcelona in 2002. This trio of engaging movies are akin to Richard Linklater’s ‘Before Sunrise’ franchise – only lasting for an extended period, as opposed to a single twenty-four hours, the hallmark of the latter. Daris’ Xavier is a writer, now achieving success with a best seller. Due to family circumstance he has relocated to the gritty China Town area of the Big Apple, but his love-life continues to be a confused ‘puzzle’ of interweaving pieces. This remains the case for some of the other members of the ensemble cast as well. All the protagonists have their foibles – for X it is his self absorption; for Kelly’s Wendy it’s her deference to her new hubby at old one X’s expense. Cécile de France’s Isabel has difficulty is in remaining faithful to her lesbian lover. As for Audrey’s Martine, she’s as scatty as ever. One example of the many delights of this offering is the way the back-story is put together at it’s commencement, the audience receiving a visual representation of the characters’ ageing. To my mind, though, the women involved are simply ageless in their beauty.

 puzzle_.

The director has dropped hints that there may indeed be a fourth instalment. That would again see me dashing hopefully to the North Hobart cinema house for yet another feasting on Ms Reilly.

puzzle-640

The White-Barked Sentinel

The old man looked up to his hill of dreams as he drove, headed to the shops, that quiet and normal Sunday morn. As he did so he spotted it – a feature he hadn’t noticed till this time. It stood out – really stood out as he observed more closely – as closely as possible whilst still concentrating on the task at hand. Pale-trunked, it seemed to be exceedingly tall, towering above the eucalypts around it – its colouring distinguishing from the dun green surrounds. This, the old man thought, was possibly a tree for the ages. Over the following weeks the old man thought and thought about the White-Barked Sentinel – wondering if what he imagined could be its story – a tale about this fine old gum on a ridge above the little city on the river. He wondered and wondered if what he could make of it would be special enough. He determined he would make it concrete and discover if his efforts would measure up.

White-Barked Sentinel could now rest. It would die easy, of its own accord – as nature intended, not as white human man determined. WBS need not fear any longer. Its white human girl/woman had seen to that.

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For WBS those early years had now dimmed, such was its great age. More than three centuries had passed since the seed containing the nub of WBS had germinated and grown to be a sapling amongst the gums on Kunanyi’s foothilled northern flank. It already realised it was different from the others of its ilk. Whereas their bark was dark, WBS’s shone with luminescence in its stand. Gradually WBS reached for the sky with such vigour it outstretched the tallest of the older eucalypts. It could now embrace the sights to be discerned above and below. Up behind WBS there was the mountain, beyond which distant peaks seemed to go on forever to the shore of the sea of ice floes. Down below was the slow flowing tidal river – Raagapayarranne to the black human people who roamed the land. In these early years of WBS’s pomp that land was mainly whisper silent, at peace with itself – a far cry from the noisy world of the mature WBS. This special tree was proud that possum and parrot sought out its branches as their home and playground. It was proud that the winter pelted black human men gathered at the base of its trunk; it being a meeting place for warriors. Its role as a sentinel was in place. WBS knew that as winter receded so those pelts would be dispensed with as the black human clans made their way up to the high country to hunt bird and marsupial close to the battlements of Kunanyi. It knew their position from the thin slivers of smoke from their campfires rising above the canopy. Those wisps were a far cry from the form of smoke driven down the valley by the roaring forties at that time of the seasons. That forewarned of the bushblaze to follow – always destructive, but also of the cycle of the environment. It was not to be feared for the sap fed flames could damage, but never destroy. The land would sprout anew after the passing of the inferno – it was the forest’s way of rejuvenation. WBS knew the black human people used the flames to tame the land to their liking. With firestick clutched, it often saw them in passing, off to create new pasture or cooking fires. Down below, on the river, WBS could espy the reed canoes the black human men used to reach the opposite shore. With them they could also spear fish and catch water fowl whilst their womenfolk gathered shellfish in the shallows, filling their dilly-bags. The black human females were as sleek and as playful as the seals that came upriver in those days. In their nudity they were as innocent as that first Eve, whispered on the wind. The river provided much bounty – black swan, native duck for the black human diet. On special occasions WBS would discern spouts of water indicating a great creature was in residence, resting on a long journey to and from the land of ice. This animal, as placid as it was majestic, was impervious to the hunting instincts of the black human tribes. But it was another animal that WBS prized even more than the cetacean giants. A sacred place for it was held in its memory bank – a stealthy, prowling, stiff-gaited, striped marsupial wolf, of ramrod tail, lolloping through the ferny under-storey, often as day became night. It was rarely sighted, but WBS could discern its distant yelps – so ethereal compared to the snarling frenzies of the frenetic devils. The wolf was the master of its world as the emu and roo dominated the savannah country and the wedgetail eagle the thermals above. BWS only sees the latter two species rarely these days, the former two – never. They have been vanquished from the planet. Now a new species totally dominates the landscape and WBS yearns for the simplicity and peace of bygone times. Back then the black human males were the alpha animals, but they too have gone the way of thylacine and Tasmanian emu.

It was well into WBS’s second hundred years when, from on high, the tree spotted that initial strange vessel moving up the river. It was a thing of ramrod masts with white cloth a-flapping in the light breeze. After a while it turned and went back downstream. Some numerous months later there came another, but this one did not leave – it stayed, anchored off the opposite shore. Soon, across from that side there arose smoke that didn’t change location after a day or two, as well as solid structures no black human man had ever made. Then came the sharp retorts that a clan firestick also never caused, as well as a boom from something much bigger – something much more sinister. Quickly those structures disappeared from across Raagapayarranne, but not so those new and perplexing river craft. As with the black human people, they took the waterfowl and fish, but also crudely took the whale. WBS knew that on these boats were men of a different nature to those it was familiar with. From so far away the tiny figures on the craft were no bigger than ants to WBS, but soon they could be viewed at closer quarters from the near shore. WBS was able to discern two types – one clan were bedraggled, dressed in rags, connected to each other by tethers. The others were dressed in layers of clothing in reds and blue, no matter the heat, carrying firesticks not like in the experience of this land. Soon these strangely cloaked white human men were rampaging through the forest with massive, salivating dogs. In numbers they were chasing down the kangaroo and wallaby, clubbing the life from them once they were coralled by the ferocious canine. WBS wondered, unlike as with the black human people, why there were no women and girls. None were apparent for many a year.

Gradually the landscape afore WBS changed too. Trees down by the riverbank were felled by axe and saw, being replaced by a track – muddy in winter, dusty in summer. White human men rode along it on another creature foreign to BWS. With this women were indeed observed – never naked like the black human girls of experience, but covered so thoroughly barely any skin was visible. BWS noticed that the whale and seal no longer frequented the water, with the fires of the black human clanspeople now far distant and then – then there was nothing of them. They had succumbed to dog fang, lethal firestick and unknown convulsive distempers. Soon, as well, no more did the thylacine slink by, nor was its yowl heard by moonlight.

Upriver the chained white human men lugged rock to create a pathway across the river as wood and stone structures started to crowd the shoreline thoroughfare – not so muddy or dusty now. Boats plied across the river from bank to bank and as more trees disappeared, other strange creatures came into the presence of WBS – cow, sheep and pig.

The decades passed and sail was replaced by steam funnel on the river. The number of horses dwindled to be replaced by various forms of horseless carriage on the ever widening track around to where there was now a bridge at the end of the causeway the white human tethered men had laboured on. Their ilk had long vanished too. More and more white human structures took over the land in the view of WBS – beginning their long march up towards the huge pale tree on the hill of dreams. Unlike the flimsy structures of the vanquished black human people, these constructions had a permanence about them. WBS knew down to the core they would outlast the time remaining to anything else living. They were built for a sedentary life, not a nomadic one. The thickly covered lower hills of WBS’s youth were no more.

The sound of axe and saw eating into gum tree was also now a noise from long ago, replaced by machines that could demolish huge swathes of forest in an afternoon. It wasn’t long before the clearance had reached almost to the base of WBS’s massive frame. The white humans were now nibbling at the very extent of its spreading root stock. A structure in red oblong stone and green roof appeared beneath the most extended of the tree’s branches and soon the white human girl made her first appearance. One fateful day she was a presence at the base of WBS’s trunk, accompanied by a fully grown white human man and woman. She was very little then, merely a white human child. She and her mother watched as the white human man nailed a step-way into that trunk. Then, on the lowest branch, he proceeded to build a wooden structure resembling all the others down on the streets below – only smaller. He worked and worked, sweltering through a week of days till one culminating summer dusk. Then was heard the white human female’s call, ‘Tessa Tiger come and look up. Your Daddy’s finished. See what he’s built for you. It’s a cubby. Do you like it?’ WBS saw the white human child nod her head vigorously and cry with glee, ‘I love it Daddy. I will play in it forever!’

The next morning, as soon as it was light, there came a rushing blur though the gate that separated the white human little family’s garden and the bush around WBS – it was the tiny girl pounding her legs as fast as they would go to get to her cubby on the lowest branch. All day long she moved back and forward to BWS, bringing out her treasures to carefully place in an abode created just for her. For WBS these were days of joy as it witnessed wee Tessa Tiger’s delight with her new mini-world. WBS felt her move around inside the cubby and it seemed as good as anything during that long experience. WBS also knew that to the two fully grown white humans this small, white human child was more precious than life itself – and they entrusted her so readily to the care and embrace of the giant gum. From the tips of its very leaves to the life channels of its roots and trunk the ancient tree, WBS, was proud that this should be so. Tessa Tiger had found a safe haven within its mighty timbers, along with possum and parrot. As the strident summer merged into softer autumn she came most days. On other days the child went off with her white human father to return to her mother in the mid-afternoon. Soon WBS knew she’d be out amongst its branches and leaves, for every day till dusk, she climbed up and around – exploring to discover all the tree’s secret places. Now the presence of the white human child made WBS feel complete – her absence, somewhat bereft.

The times when the white human father and daughter were not present in the house, WBS loved to observe the white human woman day after day plucking away at something with her fingers, seated at a table where she could observe the bush, as well as the presence of the familiar eucalypt. WBS noticed the pure joy on the white woman’s face when Tessa Tiger returned to her each day – the talk and the laughter that would flow between them. Often the mother would walk the girl out to the base of her steps to the cubby and she seemed to delight in watching her daughter’s antics once up in the foliage – up into WBS’s embrace.

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Most days Tessa was in her cubby alone. WBS listened as she talked in white human words to herself as she made up convoluted games and read aloud her treasured books. WBS tingled with the joyousness of his favourite temporary lodger. WBS knew the girl child valued books as she bought armful after armful up into the sanctuary of her cubby on the lowest branch. In fair weather she took them even higher, up to favourite reading spots with a wide view of the world around. On memorable days Tessa Tiger would bring other children to share the specialness of her little construction in the leaves. WBS swelled with the sheer pleasure of these occasions that were a testament to the strength of the boughs the tiny girls romped around on. Their laughter, loud chatter and robust play filled WBS with the importance of simply being.

WBS innately knew that human people, both black and white, grew from child to adult – that these wondrous times could not last – and they didn’t. Rarer and rarer were the occasions Tessa Tiger visited and the old gum knew this was the way of things – but lamented nonetheless. It still watched her come and go from the construction across the bordering fence – saw her grow from child to teenager to finally a white human girl woman. Sadly there came a time when she was no longer a constant presence, just a visitor now and again. BWS felt this deprivation as much as it felt the loss of the black clans, whale, emu and thylacine. Something, it felt, had been removed from its very inner core.

One day WBS’s reverie was broken by a gathering of men in hard hats down below, around its trunk’s base. The venerable gum had seen this occur before. White human men in yellow hats had come to meet and gesticulate before in the surrounding bush. Soon after would come the fellers, with the result that areas of treelessness would be created, soon built on with constructions. The grand tree realised its fate would be be soon – quickly over by metal incision.

Tree fellers duly arrived and wandered around, pointing to and shrugging their shoulders at the old cubby that still remained. Soon a little vehicle came speedily up the street and out of it hopped, at pace, the white human girl woman BWS knew to be Tessa. She rushed out to the white human men in hard hats, still in discussion below, pointing her finger upwards and saying human words in a stentorian manner. The tree knew for humans this meant anger. White human Tessa Tiger was soon speaking into a little box held to her ear. Then they arrived – her friends of old – and more. Some climbed the still strong old palings to the cubby and perched on branches. Others joined hands and surrounded its trunk. Much loud white human language was raised. Then came some white humans all in blue who stood around, but with them came a quietening of tone. A single man came with a roll of white paper that was unfurled and pointed to, then slowly the humans started to leave. All that were left were the white human girl woman, her friends, her mother and father. There was laughter and much joy in their language. Later came music and some bottles of fizzy water that went ‘pop’ when they were opened. As day turned to night, the white humans departed, leaving WBS to ponder what would happen on the morrow. Sure enough, the human hard hats returned and started up their noisy felling machines. All around the oldest gum fellow trees fell so that, at the end of the day, the white-barked eucalypt could survey a field of unholy destruction. Over time new constructions built up, trailing up to the hill’s ridge, but WBS continued to be last gum standing. And so it remained, through the days and years of its existence until, eventually, the sentinel would be taken away, as nature returned WBS to mother earth.

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The old man finished penning his tale and looked out his kitchen window, across the water, over towards Kunanyi. His beloved Tessa Tiger was on the cusp of her third year of existence. He hoped that one day she would read his story, in amongst all that literature she devoured and perhaps look back to the times she went adventuring with the old man. Maybe she would also remember the day she herself stood on the very summit of Kunanyi, in tiger hat, held by her father’s safe hand and looked down onto her grandfather’s hill of dreams.

 

 

 

Male – Guilty by Definition

Sunday night’s showing of the Rebecca Gibney vehicle ‘The Killing Field’ did not help. It had a leading actress, seemingly striving to be the Aussie version of the Scandi-noirs’ Saga Norén or Sarah Lund, failing dismally in this punter’s opinion – Gibney is simply not in the same league. Included were some happenings that, embarrassingly, even surpassed the illogic of some of the more daffy American police procedurals. It was a bit of a stinker. Before you could snap your fingers our ‘brilliant’ blonde heroine had a hit-list of sleazeball males as long as your arm, all possessing the necessary ingredients to classify them as suspects for the serial murders of under-age girls. The town was choko with them. Their graves had recently been discovered within the small rural community’s boundaries. Were there any decent males to be found in Mingara? The school’s oily principal was definitely in the frame, as was the slavering fire chief. What a coincidence it was that both were visiting another town on the same day that one of the victims was snatched in it – how convenient. These two and others were just waiting to get their hands down the panties of nubile teens in a tele-movie that stretched believability to the limit. This tepid effort followed on from the excellent ABC/BBC series Janet King and Broadchurch – very classy offerings, but the principal was the same. Some of the most trusted defenders of the law, in the former, were in Janet’s sights as members of a ring of slimy paedophiles. The British effort even took me away from Friday night footy it was so addictive as David Tennant tracked down which of his small town’s shady characters were responsible for the defiling and death of a young lad. Then there’s Rolf, the Catholic church, Salvos, scout masters – this list is also as long as one’s arm. No longer are crimes of sexual perversity committed against defenceless children swept under the carpet – not a week goes by without some individual or organisation being the brunt of sensational headlines in the tabloids in much the same way as those ‘odious gays and their foetid practices’ were last century.

Please don’t misjudge where I am coming from with this. As a doting grandfather of an exquisitely beautiful two year old I would attempt to rip to shreds any predatory male that lay a finger on her, heaven forbid. And pure evil like Jimmy Saville should have been subjected to sharia law had he been still with us. What a cockroach – I never did get the Poms’ adoration of this odd creature before he was ‘outed’.

No, its not that. With so much bad news on the topic about, on our screens and in print, it’s only natural that mothers like Tracey Spicer go to the nth degree to helicopter their progeny against what is even the slightest possibility of something ghastly being perpetrated. Nevertheless, even if I agreed with almost every point made in her article ‘I Don’t Want My Kids Next to a Man on a Plane’, it still made me crabby and frustrated as a member of the male gender.

Of course Tracey covers herself by meekly scribing ‘…sure, not all men are paedophiles.’ Couldn’t she at least have stated that, despite the impression created by ‘The Killing Fields’ et al, that the overwhelming majority of us certainly aren’t and abhor the thought? Poor Johnny McGirr, forced to change seats on a Virgin flight when a computer placed his bottom next to an unattended under-ager Automatically above his head was raised a sign – ‘Potential Child Molester’. He was presumed guilty because of that y chromosome. I imagine, had it been me, I would have been mortified. How soul destroying to be labelled such a risk to the young and vulnerable. Yet I understand why Virgin and other airlines have such a policy – there’s always the ‘what if’ question and equally predatory lawyers out there waiting to feast on any bid for resulting compensation. It is also revelatory that Ms Spicer is protective of her own side of the ledger, promptly informing us of the minuscule percentage of women who are like offenders – only eight in a hundred, don’t you know? Despite her children recently making a transcontinental flight without her and retaining smiles on their faces at the end of the journey, she was still not satisfied. Although praising Virgin for their placement and treatment she ‘…was disappointed I had no choice about where they’d be seated.’

traceyspicer.             Tracey Spicer

These days I get nervous around children’s playgrounds or beaches with a camera in hand when my sole intention is capturing the adventurings of that little braveheart who is my granddaughter. I hate feeling like that. I wonder where it will end. Will there come a time I will need a police check to carry a camera out in the open, or indeed to fly? Will male teachers one day be unable to ply their trade in schools until their pupils come of age? Will adult males be forbidden in the scouting movement. Perhaps that is a tad too extreme, but what about the case of a male wrongly accused on the word of a child? Check out that superb Danish movie ‘The Hunt’ to see the results of that.

I praise the media for making the world a safer place for our children, even if Ms Spicer contrarily laments that the world no longer engenders ‘…a sense of adventure…’ for her offspring. Yes, males are to blame for that too. I do know what she is banging on about is far too important to be merely a case of male bashing. By gee, though, reading this, I do feel for my gender.

Ms Spicer’s Opinion Piece =

Sunday night’s showing of the Rebecca Gibney vehicle ‘The Killing Field’ did not help. It had a leading actress, seemingly striving to be the Aussie version of the Scandi-noirs’ Saga Norén or Sarah Lund, failing dismally in this punter’s opinion – Gibney is simply not in the same league. Included were some happenings that, embarrassingly, even surpassed the illogic of some of the more daffy American police procedurals. It was a bit of a stinker. Before you could snap your fingers our ‘brilliant’ blonde heroine had a hit-list of sleazeball males as long as your arm, all possessing the necessary ingredients to classify them as suspects for the serial murders of under-age girls. The town was choko with them. Their graves had recently been discovered within the small rural community’s boundaries. Were there any decent males to be found in Mingara? The school’s oily principal was definitely in the frame, as was the slavering fire chief. What a coincidence it was that both were visiting another town on the same day that one of the victims was snatched in it – how convenient. These two and others were just waiting to get their hands down the panties of nubile teens in a tele-movie that stretched believability to the limit. This tepid effort followed on from the excellent ABC/BBC series Janet King and Broadchurch – very classy offerings, but the principal was the same. Some of the most trusted defenders of the law, in the former, were in Janet’s sights as members of a ring of slimy paedophiles. The British effort even took me away from Friday night footy it was so addictive as David Tennant tracked down which of his small town’s shady characters were responsible for the defiling and death of a young lad. Then there’s Rolf, the Catholic church, Salvos, scout masters – this list is also as long as one’s arm. No longer are crimes of sexual perversity committed against defenceless children swept under the carpet – not a week goes by without some individual or organisation being the brunt of sensational headlines in the tabloids in much the same way as those ‘odious gays and their foetid practices’ were last century.

Please don’t misjudge where I am coming from with this. As a doting grandfather of an exquisitely beautiful two year old I would attempt to rip to shreds any predatory male that lay a finger on her, heaven forbid. And pure evil like Jimmy Saville should have been subjected to sharia law had he been still with us. What a cockroach – I never did get the Poms’ adoration of this odd creature before he was ‘outed’.

No, its not that. With so much bad news on the topic about, on our screens and in print, it’s only natural that mothers like Tracey Spicer go to the nth degree to helicopter their progeny against what is even the slightest possibility of something ghastly being perpetrated. Nevertheless, even if I agreed with almost every point made in her article ‘I Don’t Want My Kids Next to a Man on a Plane’, it still made me crabby and frustrated as a member of the male gender.

Of course Tracey covers herself by meekly scribing ‘…sure, not all men are paedophiles.’ Couldn’t she at least have stated that, despite the impression created by ‘The Killing Fields’ et al, that the overwhelming majority of us certainly aren’t and abhor the thought? Poor Johnny McGirr, forced to change seats on a Virgin flight when a computer placed his bottom next to an unattended under-ager Automatically above his head was raised a sign – ‘Potential Child Molester’. He was presumed guilty because of that y chromosome. I imagine, had it been me, I would have been mortified. How soul destroying to be labelled such a risk to the young and vulnerable. Yet I understand why Virgin and other airlines have such a policy – there’s always the ‘what if’ question and equally predatory lawyers out there waiting to feast on any bid for resulting compensation. It is also revelatory that Ms Spicer is protective of her own side of the ledger, promptly informing us of the minuscule percentage of women who are like offenders – only eight in a hundred, don’t you know? Despite her children recently making a transcontinental flight without her and retaining smiles on their faces at the end of the journey, she was still not satisfied. Although praising Virgin for their placement and treatment she ‘…was disappointed I had no choice about where they’d be seated.’

These days I get nervous around children’s playgrounds or beaches with a camera in hand when my sole intention is capturing the adventurings of that little braveheart who is my granddaughter. I hate feeling like that. I wonder where it will end. Will there come a time I will need a police check to carry a camera out in the open, or indeed to fly? Will male teachers one day be unable to ply their trade in schools until their pupils come of age? Will adult males be forbidden in the scouting movement. Perhaps that is a tad too extreme, but what about the case of a male wrongly accused on the word of a child? Check out that superb Danish movie ‘The Hunt’ to see the results of that.

I praise the media for making the world a safer place for our children, even if Ms Spicer contrarily laments that the world no longer engenders ‘…a sense of adventure…’ for her offspring. Yes, males are to blame for that too. I do know what she is banging on about is far too important to be merely a case of male bashing. By gee, though, reading this, I do feel for my gender.

Ms Spicer’s Opinion Piece = .http://www.smh.com.au/travel/i-dont-want-my-kids-sitting-next-to-a-man-on-a-plane-20140424-375z6.html