2013 – The Blue Room's Year in Music
I’m excited. The Blue Room has discovered Spotify. It promises to be the perfect tool. It hasn’t arrived yet. Our computer is in dry-dock. When it’s back a family boffin will install it allowing the listening of whole albums legally, rather than just snippets. Thus a firmer base for the purchase of music ‘discoveries’ can be deduced. The Blue Room’s scribe, me, loves to find new stuff. I would like to think I am not your typical 60 plus year old stuck in a musical time warp of the musical heroes from my pomp – such as it was. And I still purchase actual CD albums – yes, I know, this techno-ignoramous is a throwback to another age compared to the hipster generation, but I still value having the music in my hand rather than somewhere up in the clouds.
And in 2013, even after the passing of the years since I bought Sgt Peppers way back in 1967, the beat of rock/country still flows through me. This year purchasing and playing new music has still enhanced my world. I know, as befits my age, I am not really up with the latest musical wonders – but my sources – ‘Uncut’ magazine, my BTD (Beautiful Talented Daughter), Paul, Caleb, Troy et al, all of whom recommend what they think I’d like, knowing my parameters pretty well. I’d like to think that I am reasonably eclectic – you may scoff but judge for yourself contemplating my list of the best of the last twelve months below. They are the albums I genuinely love – the ones that have been on high rotation on my music machine during the year. So here you go, presenting the Blue Room’s top albums of 2013:-
10. ‘Old Socks’ – Eric Clapton – Old Slowhand was probably just going through the motions recording this – I’ll grant you that. But as I can’t get enough of God, these renderings of some hoary covers will have to do.
09. ‘The Low Highway’ – Steve Earl – Here the sexiest man in alt country – BTD’s words, not mine – has produced his best for a while. This much married troubadour still has the fire.
08. ‘Imitations’ – Mark Lanegan – Another covers collection delivered in that voice of gravel – a departure from his attractive collaborations with Isobel Campbell.
07. ‘Even the Stars are a Mess’ – Whitley – The year’s most infectious song (Track 2 – ‘TV’) surrounded by plenty of other quality product. He’s been away to find himself but now he’s back with a good’un.
05. ‘English Rain’ – Gabrielle Aplin – ‘Discovered’ by yours truly on a UK talk show, the CD was cheap in JBs and I fell in love with it. And what a beautiful young lady to boot!
04. ‘My Favourite Picture of You’ – Guy Clark – The old songwriters’ songwriter’s paen to his life partner who is no more – heart-wrenching.
03. ‘The Beast in its Tracks’ – Josh Ritter – His last was a tad disappointing, but he is back with a bang and how!
02. ‘All the Little Lights’ – Passenger – a voice to love (me) or hate – but for my money two classic tracks with classy supports.
01. ‘The Great Country Songbook’ – Troy Cassar-Daley/Adam Harvey – this unlikely hit has now morphed into the year’s most controversial release thanks to Christmas Grinch John Williamson. It’s a buoyant collection of old chestnuts from two knockabout lads having a great time in the studio, as well as live. It took us all back to other places and other times. Only a crusty old curmudgeon would dis its success.
A couple of this year’s hopefuls just failed to make the cut. I’ve only been in possession of Nick Cave’s ‘Push the Sky Away’ for a few days but I am currently obsessed – sonorously magnificent. Neko Case’s ‘Worst Things Get……’ and Camera Obscura’s ‘Desire Lines’ were the best of the rest. The Hunters and Collectors tribute ‘Cauldron’ is well worth a listen, as is John Fogerty’s set of Duets recreating CCR’s hits with various folks – ‘Wrote a Song for Everyone’. The Emmylou Harris/Rodney Crowell collaboration ‘Old Yellow Moon’ stands up, as does Laura Marling’s ‘Once I was an Eagle’. Kim Richey (‘Thorn in My Heart’) and Patty Griffen (‘American Kid’) also had fine issues.
So, over to you BTD, as well as anyone else up for the exercise.
Canberra Views 07
The Blue Room's Top 10 Movies for 2013
The year’s trips to the State, with a very few to other movie houses thrown in, was bookended by two sensational films directed by David O Russell. In between there was so much presented to enjoy, so much presented to ponder on. In the last category there were some stand-out cinema offerings concerning the journey ahead for us baby boomers of a certain age. The best of these included the depressingly powerful ‘Amour’, a film that delved into your mind and lodged in there. There was the sublime tale of a relationship of extreme youth and extreme age in ‘The Artist and the Model’ and the uplifting ‘Song for Marianne’. The acting combinations in each – Emmanuelle Riva/Jean‑Louis Trintignant, Jean Rochefort/Aida Folch and Terence Stamp/Vanessa Redgrave were brave, with bravura performances from all. We can add the James Cromwell/Geneviève Bujold double-hander from Canada, ‘Still Mine’, as this year’s ‘Away From Her’. Here there is what happens when the deadly combination of the stubbornness of advancing age and the inhumanity of petty bureaucracy come into collision.’Quartet’ deserves a mention too. ‘Blue Jasmine’ saw Woody Allen back to his best with stellar acting from Cate Blanchett. Greta Gerwig, in ‘Frances Ha’, was gorgeous and may even find a place in my ‘Alluring Women’ come 2014. Spain’s ‘The Impossible’ was an accomplished movie about a terrible disaster and ‘Twenty Feet From Stardom’ was a most affecting documentary on the forgotten people in the pantheon of popular music. Highlighting, in a very human way, the tensions in the Middle East was ‘The Other Son’, with ‘Lovelace’ doing a better job of transporting us back to another time and place than it was given credit for. Ditto for the Paul Raymond biopic ‘The Look of Love’ with Steve Coogan. Also immensely enjoyable was Joss Whedon’s ‘Much Ado About Nothing’ and the James Gandolfini wonderfully dominated ‘Enough Said’. The staging of the latest version of ‘Anna Karenina’ was another highlight. Methinks this was a vintage year.
But the above, although individually terrific, didn’t make the cut. For better or for worse, in descending order are, in the view of the Blue Room’s film-addicted punter, the best for 2013.
10. ‘American Hustle’ – I had no bloody idea what was going on in the plot – it lost me about half-way through. But I was having so much fun with that 70’s vibe I didn’t give a hoot.
9. ‘Behind the Candelabra’ – could this be the movie Michael Douglas is remembered for? It was quite an amazing turn from Matt Damon as well. We’ll never see the likes of Liberace again.
8.’ The Hunt’ – Mads Mikkelsen brings home to this old chalkie a teacher’s worst nightmare as he spirals into the abyss and drags himself back up again.
7. ‘Stuck in Love/A Place for Me’ – why a change of title was needed to release it in Oz is beyond me, but this is 2013’s ‘The Door in the Floor’ with Greg Kinnear and gang superb.
6. ‘Lincoln’ – unlike many I seemed to be able to follow the Machiavellian machinations of this and loved its periodness – I know, there’s no such word – but there should be.
5. ‘Life of Pi’ – to DLP’s (Discerning Loving Partner) surprise I was enraptured. For once she jumped when I didn’t. I knew the tiger was coming.
4. ‘Rust and Bone’ – simply a mesmerising film from France with the screen presence of unlikely hero
Matthias Schoenaerts riveting.
3. ‘ The Great Gatsby’ – Luhrmann hits back doing what he does best – so much razzle dazzle and the two diverse, but magnificent, party scenes – simply incredible.
2. ‘Happiness Never Comes Alone’ – What is it about the French and rom-coms – pure froth, but Sophie Marceau shimmers and shines..
1. ‘Silver Linings Playbook’ – I fell in love with Jennifer Lawrence. I fell head over heels for this gloriously quirky, funky romp.
David and Margaret’s choices for 2013 = http://www.abc.net.au/atthemovies/txt/s3908586.htm
Canberra Views06
A Blue Room Book Review – Coal Creek – Alex Miller
As another drought starts to bite across the Outback vast herds of cattle are being shifted out of those areas affected to better pasture further south. Most of the owners of the mega-acred properties, many bigger than European countries, now use the thundering automotive road trains to get their beasts from A to B. Others see the advantage of using the tried and true method of the cattle barons of the days of yore, the Duracks and Kidmans et al – the ‘long paddock’. Currently eighteen thousand head, split into nine mobs, are advancing down the continent from Winton to Hay – over two thousand clicks of hard travelling through the hinterlands of two states. Seventy drovers are pushing them along and it started some six months ago, with the first steers expected to reach their destination around the turn of the year. As the drought inexorably follows them further south, this massive undertaking may have to move on into South Australia, heading for the most luscious of grazing land still viable for that number – around the Coorong.
I am sure if he is still around today for this, Bobby Blue would be in his element – Bobby being the central protagonist of Alex Miller’s latest offering, ‘Coal Creek’. He is a magnificent creation, rivalling Richard Flanagan’s Dorrigo Evans as 2013’s nomination to the roll call of our country’s seminal fictional heroes. Both are men of immense substance, although in vastly different senses. Both are also flawed, as all great literary heroes need to be.
I have listed Miller’s ‘Journey Into Stone Country’ as only behind a couple of Winton’s efforts and Craig Silvey’s ‘Jasper Jones’ as my favourite home grown novel. It is, as with ‘Coal Creek’, a book of ‘forbidden’ love, albeit of a totally different nature. Here the socially unacceptable relationship is between a man/boy and a girl/woman, the latter just scraping into her teens. The tale is a slow burner, taking its time to build to its shockingly tragic climax. The author cagily leaves hints en route that what will eventually befall our ‘innocent’ couple will not be for the faint hearted. As with ‘Stone Country’ this is ultimately a work of redemption, with most, but not all, wrongs being righted.
Billy Blue is a country lad, illiterate when we first meet him, but well schooled enough to read the hard-knuckle bindee country, his natural environment inland from the Townsville coast, like a primer. The ranges of Billy’s domain hide the secretive and the fugitive, as well as the being the domain of the semi-wild scrub cattle Billy musters. The events take place in the decade or so following the last world war.
The town of Mount Hay, where Billy learnt the ways of the bush from his now deceased father, is a sun-blasted hamlet where torpor is enshrined and the law administered at arm’s length. Into this cauldron comes the Collins family. The father is the town’s new cop, a stickler for protocol – a trait sure to raise the hackles of those previously largely left alone to sort out their own affairs. His wife is determined to bring some coastal culture to this woebegone place. It takes a while, but for both it all goes horrendously belly-up. The couple’s eldest daughter, Irie, takes Bobby under her wing almost as soon as he is taken on by Daniel Collins as his assistant. At first she is his tutor, but obviously they come to mean far more to each other. All are on a collision course involving Bobby’s best mate, the local ‘black sheep’. The novel is enhanced by the fact that it is Billy’s plain speaking voice that narrates, the sustaining of which is perhaps Miller’s greatest triumph. He illuminates and beguiles with his character’s simplistic vernacular, despite his mouthpiece struggling to have words for the profound events that befall him.
The only disappointment with this wonderful opus is the denouement. Its brevity weaned this particular reader away from Bobby and Irie long before he desired to be. A sadness enveloped when I finally put the book down. I wanted to be part of their world for longer – to follow their course onwards through time for as long as it took.
There is much to ponder with this fine publication from one of our best. He demonstrates how quick we are to pass judgement on our own, how the media feeds this tendency and asks whether sometimes, when it comes to information, if not less is more? Billy was a man of few words but intense in his feelings. Back then, as now, this can be viewed as a failing. Miller demonstrates, once and for all, that ‘still waters run deep’.
Today’s outback stock-men are as likely to be steering helicopters as they are horses. But those of Billy Blue’s ilk are national treasures, no matter their hue.
Alex Miller’s website = http://www.alexmiller.com.au/
Canberra Views05
Of Faded Charm and Chopsticks – Some Melbourne Vignettes
Looking back over this life of sixty plus years, it certainly hasn’t been one frequently punctured by the pleasures of overseas travel. This is not a matter of regret and I am not about to use the time that She up there has deigned left to me in a frenzied bout of making up for lost time, even if I possessed the funds. I am resigned to the fact that I will probably not make it back to Europe. Some folk do not get to go in a lifetime – let alone twice! It was a great ambition once upon a time to see India. Now I’ll just follow Rick Stein and his ilk around. I had an urge to see those misty, remarkable mountains of Guilin. It is not likely now, but who knows? These were once resident on my vague bucket list – but I am too content with life in general, living a blissful existence with my beautiful DLP (Darling Loving Partner) by the river, to be unduly concerned with ticking off life ambitions. I have hopes for the more moderate goal of returning to Bali, the most recent of my out-of-Oz experiences. I loved that place. New Zealand is a maybe, as is Thailand – but they’re not absolutely non-negotiable musts. These days, essentially, my horizons are smaller and largely revolve around my own wide brown land – with a cruise or two still a possibility. My son and his partner are heading off to Europe in the new year and I am content to live vicariously through them, as I did when my daughter/son-in-law did the same not so long ago. My recall of the details of my own double feature there are very vague – it was so long ago now. The same could be said for the short time I had in Hong Kong way back before the handover, my only other external sojourn. From that adventure I remember an aborted landing – our descent into the old airport, on the Cathy Pacific jumbo, between the residential towers, was too fast according to our captain whom, as soon as wheels touched tarmac, banked us sharply back up into the stratosphere again. It was second time lucky. I remember a trip into the New Territories to stare at China – as you did back then; the crowds of humanity on the island and the pleasures of the Star Ferries. I wended my way somehow up to the top of Victoria Peak and there were a couple of very fine partakings of tucker I recall with some fondness. The memory that is strongest though, still featuring in my Bruegelesque nightmares, is of another dining experience, far from very fine, in which I was, inadvertently, the main attraction. The incident came back to haunt me one night in China Town, on our recent trip across the briny to Yarra City.
Trips to Melbourne are always such a joy. The pleasure is doubled when I am accompanied by my treasured DLP. For me there are a few constants in every trip – a wander in the environs of Brunswick and/or Smith Streets, the friendliness of Melburnians – possibly relishing the fact they reside in the world’s most liveable metropolis – and the smiles, together with the readiness to chat, of a plethora of beautiful women behind the tills of numerous frequented retail outlets.
Our home for the duration of the stay was DLP’s recommendation, the Crossley, on Little Bourke (No51). It could be described as a mid-range hostelry, perfectly adequate with a courteous reception staff. It did have the slightly faded feel that I am quite drawn to. There were two features I loved – firstly the framed vintage photography on its walls. And then there was the deep, substantial bath in our room, enabling me to get a ‘proper’ start to the day. This is not always possible staying away from home. I’d certainly consider the Crossley for future trips. It took a little while to get my bearings that side of the CBD, so used am I to staying the Spencer Street end, but that initial afternoon we were soon making our way to our first objective – the Exhibition Building. We stopped for more than satisfactory libations at Trunk Diner (No151 Exhibition) en route. Our aim was the annual Design Show and, although the exhibits didn’t disappoint, it was extremely crowded and overly warm – a hothouse. DLP beat a reasonably quick retreat but I persevered a while longer and picked up a few bibs and bobs. It did showcase that the local mob are a talented bunch. It was later, on our first evening that my Honkers bad dream came flooding back to haunt me.
DLP had another suggestion to enhance our trip, this time for our dining that night. As a result of her own visits, not accompanied by her biggest fan, she knew that just across the road from the hotel was the Shark Fin Inn City Restaurant (No50). We stepped out and hand in hand we entered a dining area that, in décor, had seen better days. As the night proceeded it proved it was still a popular venue. One wall was festooned with certificates, all from the eighties, mainly consisting of Age Good Dining Awards for an Asian restaurant. This, for some reason, made me feel somewhat uneasy, as did the number of hovering waiters, all of male persuasion. Without giving it perhaps the thought I should have, considering my vague feelings of discomfit, I ordered duck accompanied by, as there were only chopsticks to be seen, cutlery. Let me say from the get go that I adore duck and the one offered by this culinary establishment was succulently moist, sublimely delicious. That wasn’t the problem. I was having an attack of deja vu. I felt every eye in the room on me. Now I am useless with chopsticks and when in the past (coming to that) I’ve wielded them, there’s been embarrassingly far more spillage on tablecloths than actual food entering the appropriate orifice. And of late I have been lulled into a false sense of security by my Chinese noshing experiences in Devonport. No, I hadn’t thought it all through so eager was I to have a bird in Melbourne.
It has become somewhat of a tradition to celebrate DLP’s mother’s birthday at the China Garden, King Street, just before Christmas. It is a low-key type of place that offers a duck only slightly less well produced than the Shark Fin variety I experienced that first Melbourne eve. By the Mersey there are no tuxedoed maitre d’s hovering and I am comfortable handling my menu choice with greasy fingers. No-one bats an eye. I should have recalled that the bony nature of duck does not lend itself to manipulation by western implements. At the Shark Fin I was soon in trouble. Sure enough, an eagle-eyed waiter, noticing my futile attempts to get meat to part from bone, was soon rushing over to ask if all was to my satisfaction. I hurriedly gave him positive assurances, but by now sweat was starting to appear on my brow. I know this China Town venue was a world away, in time and location, from what occurred to me back in the day when the Shark Fin was in its pomp, but that didn’t help.
The brochure extolled this off shore island’s charm, describing it as a throwback to traditional Chinese life – and just a short ferry trip away from the glamour and glitz of Kowloon. I was tempted and signed up. Into the South China Sea the little conveyance ploughed and after a short time, I was there. It certainly was different with its ramshackle water frontage forming an arc around its harbour. I alighted from my transportation at the jetty and indeed was seemingly injected into another era. It was teeming with people too, but these beings were entirely made up of what could only be described as the ‘peasant’ class. I poked and prodded around a few tawdry shops specialising in faded tourist tat before deciding I would need to while away time, before the return ferry, at some form of eatery – and I was feeling peckish. I had already concluded that there were few, if any, English speakers around and the signage was entirely in Chinese. There were no helpful translations as in cosmopolitan HK. I soon found a dining hut that was close to full of frugally attired locals tucking in– always a good indicator of worth. I entered to be greeted by a cacophony of noise. This abated as the locals spotted me. As the hush intensified every diner turned to face me, mouths agape. I concluded occidentals were a rare species on the island. A wizened old man came over, bowing obsequiously with every step. He ushered me to a centrally located table – all the better for the floor show that was to occur all too soon – and handed me a blackened, well creased sheet of paper, all in indecipherable characters – obviously the menu. I stared with incomprehension. ‘English?’ I shakily inquired. My host looked at me with widened eyes, shrugged his shoulders and pointed at a line on the ‘bill of fare’. I took this to be a suggestion and nodded vigorously. He gave me a toothless smile and backed away, bowing as furiously as when he had first attended me. Gradually, as I waited, the surrounding masses returned to their own repast and conversations. Very soon my choice arrived. I had no idea what it was. By now the silence around me was renewed as every eye again focussed on myself and whatever it was plated afore me. The waiter then thrust some chopsticks at me. I shook my head at the offending objects and even though I knew the outcome, I hopefully uttered, ‘Cutlery? Knife? Fork?’ The old man’s mouth fell open and he offered a blank look in return, so I proceeded to mime the action I presumed to be a reasonable imitation of non-oriental engagement with a plate of food. His eyes widened and he beat a hasty return to the kitchen, throwing the wooden sticks at me. A deathly hush fell over the place. This was right royal, if perplexing, entertainment. I knew I had flummoxed the waiter and now I had a conundrum. The locals were settling back to watch what would develop.
On my plate I spied a piece of meat of indeterminate provenance with a splinter of bone protruding. I felt that would be as good a starting point as any so I reached out with fingers poised to pluck it away from my plate and transport it to my mouth. On realising what I was about to do a frantic ululation arose from the horrified citizens around me, to the degree that I was soon in no doubt that to continue with this course of action would cause immense injury to their cultural sensitivities. This explains my reticence to do the same on that Melbourne eve thirty years on. I decided to then move to Plan B, with the only problem being – I didn’t have one. Thankfully a young lady arose from her seat nearby and ventured across to me. For the next few minutes she gave me a crash course in the correct manual manipulation of those two prongs of oriental torture. By the end of my schooling others had joined her and seemed to be offering advice as well, not that I could understand any of their helpful hints. But following my rescuer’s lead, I decided to at least give it a go. By now practically the whole clientele of the restaurant, staff included, were ogling me from the sidelines, absorbed in proceedings. I was sweating profusely with the stress of it all, my hands shaking as I took hold of the chopsticks and endeavoured to get a morsel to its destination. When, eventually, after many futile attempts, I managed to do so, there were audible murmurs of delight from the assembled eggers-on. Most tries failed. Out of the corner of my eye I noticed money was changing hands. The Chinese were actually betting on the outcome of each attempt! Gradually more success came my way, to be greeted by back-slaps and a few cheers. By now I could see the funny side of all this and felt more at ease with an audience, but still little progress was being made in terms of the gruel still remaining to be dealt with. I was even in danger of missing the return boat to ‘civilisation’. This called for a more determined attack, so throwing caution to the wind, I raised the plate to my face, placed its rim against my chin and stated using the implements more in the nature of a shovel. I started pushing the glistening mass into my masticating mouth. This was more like it and didn’t seem to offend, so eventually I finished to the applause of an appreciative throng. There were more pats on the back and proffered hands. I left monies and quickly made my exit, receiving copious bows. They appreciated the colour I had added to their day. I was relieved the ordeal, although good-natured, was over.
Returning to the Shark Fin, as the night wore on, with the tables beginning to fill, those on patrol became less of a concern. I was able to surreptitiously use my digits. This chopstick-a-phobe had learnt a valuable lesson and I will return to the Shark Fin, if only to prove a point to myself. And, dear reader, my DLP has now had two tasty meals there as well so, if more adept than I in the usage of chopsticks, do venture there. Personally, next time I will not order duck.
DLP, on a roll, also selected the dining venue for the following night – the Spaghetti Tree up the Parliament end of Bourke (No59). It was not my first time at that eatery – I worked out I’d been before, shortly after its opening – thirty-five years previously. Back then it was the place to go for pasta. In the decades since it has certainly faded too – not some shiny minimalist hipster joint this! My generous portion of excellent lasagne was just what the doctor ordered after the rigours of the previous night, although our waiter seemed a bit perplexed that I preferred the hand-cut chips to go with the meal rather than wedges. Still, with fast, smiling and efficient service, it wouldn’t be decades before I returned again.
Melbourne Now is a varied exhibition, seemingly taking its cue somewhat from the MONA model. Spread across the two NGVs, its free and well worth a couple of hours time. Again, the artistic talent/legacy of the city old Bearbrass has become is to the fore. Redolent of the faded charms of the Jazz Age are the slightly fuzzy, but exceedingly stunning images produced by Edward Steichen to showcase it in the pages of Vogue and Vanity Fair back in the day. On show at the St Kilda Road gallery, the accompanying art deco dresses displayed are just as impressive. I had high hopes, but less alluring for me was ‘Spectacle:The Music Video Exhibition’ at ACMI, Fed Square. I expected a visual trip down memory lane. There was some nostalgia there, but much of the music it showcased had passed me by. Not so at the Mushroom memorabilia housed temporarily at the RMIT Gallery, the top end of Swanston Street. I was back in ‘Countdown’ heaven.
We had just alighted from the 112 to Brunswick Street and down it came – pluvial rainfall. We were attired for summer so DLP quickly had to make some waterproofing purchases. A visit to Klein’s Perfumery (No313) is always a must, as is now Zetta Florence (No197B), just about my favourite Melbourne shopping experience. The outpouring from the heavens didn’t let up all day, meaning that negotiating often narrow CBD side-walks can be eye-threatening when the pointy end of umbrellas are aimed directly at you. The danger ramps up to extreme when, in their other hand, uber-cool pedestrians are manipulating digital devices, thus having little focus on the dangers their sodden parasols pose to oncoming foot traffic.
There were other highlights – the pine trees artfully arranged in Federation Square for Christmas; a delightfully befuddled waiter at Spigo (Menzies Alley, Melbourne Central) on his first day on the job as we breakfasted one morning; sojourning along a sunny Acland Street; assisting Asian visitors with ‘selfies’ and of course, at this time of year, the expressions on the young when viewing the Myer windows.
Earlier this year I shook the hand of three of my heroes – the brothers Flanagan and Luka Bloom, at separate events. I would have been satisfied with that, but with Melbourne came the icing on the cake for 2013! Who should I stumble across waiting alone patiently for a promotion event to commence in the environs of Fed Square but the great Archie Roach. Knowing an opportunity to meet the man whose music has so enhanced my life would probably never occur for me again, I approached and asked for a handshake. He cordially complied and was also generous enough to scribble a couple of autographs, one for myself and another for my beautiful daughter. Let alone all of the above, this would have been enough to make another Melbourne visit special. I’ll never tire of this city – the rest of the world can wait.
Canberra Views04
A Blue Room Book Review – The Light Between Oceans – ML Stedman
Have you heard the news out of Canada? For us Luddite inclined traditionalists it’s the harbinger of what’s to come. Canada now, it seems, is replacing its postmen and women with something called community mailboxes. No longer will the mail come to the householder – Canadians will have to go fetch their post! This, of course, is a response to the decline of paper items going through the system, caused by the lazy alternative of various forms of electronica – and without question the increasing greed for mega-profits in order to pay ‘those on high’ even more obscene bonuses for making social responsibility the victim of yet deeper cost cutting and price gouging. Mark my words – Auspost will go down the same route before too long. Despite the best efforts of myself and Marieke Hardy, with her crew, the days of the letter are numbered. Unlike parcels, enveloped communication has become increasingly unprofitable. Canada further intends dismaying its throwbacks, still of the view that putting pen to paper to record one’s news or thoughts for the pleasure of another, by increasing the cost of its postage stamps by almost double. It’s win/win you see – a great dip in the wages payout bill with a parallel increase in charges – the way of modern business. Bugger the poor beggars who will have to find new work, the elderly: the public in general!
Here in Oz it seems the demise of our mail deliverers, tootling around on their dinky little motor bikes in their hi-viz canary outfits, will be consigned, like so much else, to the trash cans of history. It was sad enough when the postmaster general forced them to eschew their whistles. Does my memory serve me correctly in that, during my lifetime, we once had twice daily deliveries, with a Saturday one thrown in as well? For this to disappear completely, what is the world coming to???
Believe it or not there is a tenuous link between this rant and the book under review. The occupation of the main protagonist in ‘The Light Between Oceans’ has already gone the way the fine cohorts of men and women who deliver us our daily post seem destined to as well. His job is now no longer required by the modern world, but well and truly existed during my earlier decades as being vital to the safety of those at sea. Yes, lighthouse keepers for decades and decades spent months, even years, perched on rocks around or off our coastlines, ensuring that shipping didn’t end up smashed into the same location. My island alone is renowned for the sagas of those public spirited men and their families who gave up so much to attend to the lights at places such as Eddystone Point, as well as Tasman, Deal and Maatsuyker Islands. In this novel we meet the keepers and women of Janus Rock, a precipitous outcrop straddling the divide between the Indian and Southern Oceans off the coast of Western Australia.
Stedman has come up with a ripper yarn of the several Sophie choices that befall one self-reliant couple entrusted to the maintenance of the beam on Janus (there is much significance in the author’s selection of name for this site of the novel’s core event) Rock. The man was mind-wounded by his experiences in the Great War – his missus a lass of stoic, strong-willed stock. Much shared happiness, despite their isolation, is chiselled away by a decision foisted on them by some flotsam washed up on their tiny island. The book has a strong start recounting the tale of the wooing by the feisty maiden who is salve to her war-damaged intended beau. This was bookended by an ending that produced a pair of misty eyes for this reader at the unfairness of the hand that can be dealt. The saga does flag somewhat in it’s middle stages, but as the guilt starts to play on the minds of our isolated, in both senses of the word, duo, the author really hits her straps.
‘The Light Between Oceans’ was generally well received by critics around the land, a tribute to the skills of this fresh writer with no back catalogue. For her longevity, the proof of the pudding, as always, will be the sophomore publication. With this engaging first try it augurs well. But for a novelist today, as with car makers, milk deliverers, small farmers and business people – and posties – a future in anything is no given.
News article on Canadian Postal Service = http://www.usatoday.com/story/news/world/2013/12/12/canada-mail-delivery/3995481/
An interview with ML Stedman = http://www.smh.com.au/entertainment/books/interview-ml-stedman-20120322-1vkty.html















