All posts by stevestevelovellidau

Young, Italian, Talented

Marta was telling how she had her start, ‘I was looking for some photos and drawings for my characters in a role-play game on-line,…(browsing) on websites such as Flickr and DeviantArt…because I loved looking at beautiful images.’ She was so taken by what she found she wondered if she could become involved in that scene too. In a remarkably short time photography became her hobby, then vocation. So, going full circle, I was meandering around the latter mentioned in the ether when I discovered, for myself, the attributes of Ms Bevacqua and her ethereal art.

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Just fancy – so young and she has already garnered quite a standing. It’s hard to imagine, I guess, for my generation that what is viewed on-line now inspires artistic careers. In my day that sort of thing was found in real art galleries, in the traditional popular media or from books. Nowadays the world is just so accessible and those of Marta’s tender years take to it as if it’s the most natural activity there is. She only graduated from high-school in 2008, for heaven’s sake. It still seems amazing to me, the digital landscape – I wonder what will be ‘amazing’ when her generation is as far as I am down the track? This year she will turn 27, yet this native of Rome has already been in the world of her creative passion for a decade or more, earning monetary recompense from it. If she’s this proficient now, what will she be capable of by the time she reaches the ages of most of the purveyors of her craft I check out on my laptop.

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There always seems to be the one image that eye-enchants enough to stimulate further investigation. If you do visit her profile page on Deviant you will possibly encounter this image, the one that led me to delve somewhat further by clicking on Marta B’s ‘galleries’ icon. If not, it will surely be within, on her own site or the other places that host her product, such as Instagram and Behance. As for the particular picture, there’s a girl and a dog/wolf together peering out into the distance. Was it because the human subject appeared as lupine as the canine beside her I was attracted? I was soon finding other images of this photographer I could appreciate just as much.

Where has this camerasmith found the necessary stimulus to provoke such gorgeous finished products? ‘I live in a beautiful country house surrounded by green trees everywhere. I think that I would never have started taking photographs at all if I didn’t live there.’

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Books, movies, music and the work of other artists also get her mojo running. There are a preponderance of portraits in her oeuvre and that’s how she found her start when she was a mere slip of sixteen. She made portraits of herself, her two sisters and a number of close friends; made up a portfolio and duly submitted it to agencies – at least one being impressed enough to start her on her way. Her stuff is popular with many book publishers for covers and observing her images, they do seem the bees’ knees for enhancing chic lit/romantic genre fare. Now days commissions also come in from fashion houses to promote their brands in magazine shoots. Naturally she exhibits as well. She has also spent time in Paris to discover if an immersion in that city will open her up to new directions in her work.

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She is the first to admit she is still on a learning curve to hone her technique, but when asked to produce three words to describe what she wants from each photograph she offers up ‘dreamy, storytelling, imagination.’ Simple words maybe, but for this youthful Italian, if the stars align, could she be on the cusp of being a significant player?

Marta’s DeviantArt gallery = http://m0thart.deviantart.com/

On location with Marta = https://www.youtube.com/watch?v=AhiDHoPS4C0

Melbourne Vignettes – Luna Park and an Addled Canadian

She was tiny and she was exquisite. She was dressed appropriately – head scarf covering her hair and with long concealing attire to her feet. She spotted me observing her. I smiled and she smiled back. Her already beautiful face glowed. Beside her he noticed. He instinctively moved in protectively, but without laying a finger on her. When he saw the recipient of her favour was an old fellow he relaxed, just nodded and moved away from her. He was a huge guy – rugby player huge. He wore a black singlet, shorts and thongs. Tattoos and muscles abounded. Brother? Husband? I had no idea – but the contrast between the two was striking. She seemed a happy soul, comfortable in her skin – if one can deduce as much in a fleeting moment. I imagine she was delighted to be in such a place on such a glorious day – as I was.
And Luna Park was, to me, such a pleasant surprise. I expected a run down, down-at-heel crumbling amusement arcade affair – a throwback to the days when entertainment for the masses took a simpler form. Yes, it had obviously seen better times, but there was something very beguiling about its retro feel. I had merely come to watch so there was consideration for that as no entrance fee was required from me. On this Sunday it was busy, but certainly not crowded. And it appeared to me that on that day the place formed a microcosm of what our country is all about. From the well-heeled, judged on dress, to the hipster and bogan; with every skin hue imaginable being represented. Many languages could be discerned. Best of all, laughter abounded.
I was also there to watch a little girl in action. At an age when fear is unknown, Tessa Tiger was up for anything. She ran and rode the rides and ran some more. It was unbridled glee – those blue eyes sparkled with the fun of it all. Later, exhausted from all that exhilaration, after it was all over, she had fallen asleep on her mother’s shoulder before even the exit was reached. Her Poppy had been entranced by the wonder of her small frame going for it.
But amazing me as well were the Amazons of the roller coaster. These were the lasses who rode the brake as the ancient ‘car’ whizzed its way, albeit creakily, around the perimeter high above as I sat in the sun. They stood tall in their naff purple uniforms, these girls. Seated beneath them the punters screamed for all they were worth. The two that particularly appealed had long pony-tails protruding from their equally naff caps. As their conveyance started each downward thrust they’d brace themselves, move the brake-stick forward into position and down they would ride, long hair flowing behind them in the updraught created. They sort of reminded me of those maidens in bygone days who rode the wings of bi-plans in aviation stunts. I thought these purple princesses were almost as magnificent as my magnificent almost four-year old granddaughter.
So, dear reader, if there is at some stage a possibility of visiting this St Kilda icon with your kiddies – or, even better, grandchildren, do not demur. To see it all through their small persons is priceless.

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It was warm and sweaty during my five days in Yarra City, first down in Fitzroy Street, St Kilda, then later up by Bourke Street Mall. And I had a ball. I’d read Fitzroy Street was dying commercially, but the nights we were there it seemed vibrant and alive. The pubs, restaurants and cafes along the thoroughfare were full and doing great business. Katie chose the eateries we graced and each, in their own way, were purlers. Her old man enjoyed her selections immensely. One introduced me to tapas – United Kitchen (2/52 Fitzroy), another to Tex-Mex fajitas (Elbow Room, 19 Fitzroy). I’m yet to be convinced that I am a tapas type of guy, but both these tucker outlets presented delicious fare. And then my beautiful daughter suggested I try the latest legume sensation, edamame beans. I could become addicted.
Whilst on food, while I was there the Age, in its food guide, listed its top ten fish-‘n’-chips outlets in the city – and one was very central so easy for me to access and sample. Tank (Level 3, The Emporium, 287 Lonsdale) lived up to its description in that august former broadsheet:-
Melbourne’s best fish and chips 2016 – Sophia Levin – February 9, 2016
Tank Fish & Chips
Don’t be fooled by the paleness of this beer batter; it’s quite possibly Melbourne’s best. It’s the crunchiest casing of them all but the seasoning, reminiscent of Arnott’s Barbecue Shapes, is what will win you over. It’s peppered all over the thin, golden chips and flawless potato cake ($1.20), along with a sprinkling of deep-fried parsley. Expect two moist pieces of the fish of the day in the Old School Fish N’ Chips pack ($11, usually blue grenadier). Both stores are also beautifully designed, a collection of blue Victorian tiles juxtaposed against neon.
Emporium food court, 287 Lonsdale Street, Melbourne CBD, 03 9020 4342; also at 149-151 Lygon Street, Carlton, 03 9040 2124
And everywhere she put in an appearance the little one charmed. One of the Elbow Room guys introduced her to the art of bar-tending and a waitress at an Acland Street pit stop presented her with a free milk shake because of her ability to place an order at so young an age. A lovely matronly ‘witch’ at Spellbox (Shop 7, Royal Arcade) let her wish so many spells I didn’t think we’d ever convince our darling to depart the wonderful small realm of her imagination.

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There was much else to rave about during my five days in a city that once in its past was threatened with the name Bearbrass (apparently a mis-rendering of Birrarung, meaning ‘river of mists’ in the language of the Wurundjeri people). I suitably experienced the Andy Warhol/Ai Weiwei Experience at the NGV St Kilda Road – well worth the effort if you’re in that neck of the woods before it closes April 24th. With Tess I was gobsmacked by the denizens of watery environments at Melbourne Aquarium. Alone, I found myself saddened by Melbourne Museum’s World War One exhibition, but later delighted by the Lunar Festival at Victoria Harbour in front of Etihad Stadium. At the latter, on the cusp of Chinese New Year, I took the 86 into Docklands and observed all the Asian culinary delights on offer in the pop-up stalls. I made my selection and retired to the water’s edge where several pretty young ladies plied me with pale ale. There, beside the briny, I contemplated how good life is. T’was bliss.

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As always when travelling to places known and unknown, there are the people one meets along the way. There had been a collective search, unsuccessful, to find a Kikki K (a Typo clone) outlet. When time was less pressing and I was solo, I came across one on the third level of The Emporium. I entered and was immediately greeted by an effusive, effervescent, enthusiastic and obviously bored sales assistant who plied me with her charm and practically demanded to know my complete personal history. This Melbourne belle was a delight and I enjoyed my time perusing her wares – and spent a few bob too I might add. There was the French family I met at Tullamarine waiting to travel to this lovely isle – the dad, the only one speaking English, about to take up a secondment to the Antarctic Division at Kingston. He plied me with questions, seemed impressed with the fact I knew a little of France and I entertained his two very fractious kiddies with mobile images of my son’s fishing exploits. But the corker of all my fleeting meetings was the encounter with the addled Canadian. She was from deepest Saskatchewan and we were seated opposite on the No16, returning to the city. When I took my place she smiled and said hello. I noticed her accent and away we went. She was attractive in that wholesome American way, in her mid-thirties I would guess, had two children back home and was up for a chat. She told me her flight out was horrendous – she’d never been on a plane before and had no intention repeating the experience. I wondered, then, how she planned to return – tramp steamer perhaps? She had never seen a train nor a tram prior to this Melbourne excursion. She was staying only two days before three in Adelaide to see a friend. Then she was returning home to a snowy winter – somehow. After booking into to her CBD hostelry she noticed, on a map, that there was a beach – St Kilda I presume – that didn’t look too far from the city, thought a dip would refresh her after her nightmare up in the air and resolved she’d perambulate down to the strand. She had no idea of the distance involved, nor the impact of the summer heat in Oz. She soon realised she’d bitten off more than she could chew and hopped on a tram to return to the city and presumably a plan B. Only trouble was she became discombobulated by the fact that the roads here operate in opposite fashion to those back in the land of the maple leaf and she found she was again heading towards the bay rather than away from it. She figured it out and was on her way home when she regaled me with the statement that we sure live in a confusing country. Addled Canadian was all very bemused by her own travails, was in good cheer despite them and she seemed unfazed by the fact she had already wasted one-fifth of her stay Downunder. She gave me a lovely smile as she disembarked at Flinders Street to thank me for the sympathy I expressed at her woes.

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During my stay I impressed myself by adding a few more tram routes to those already travelled on. I spent my last morning happily pointing my camera around Gertrude Street. And, as icing on the cake, I caught up with old mates Carolyn and Brother James, as well as soon to be married niece Peta and her beau Troy. But being with Tessa – well that was simply the best and hopefully, it will be not the last time I’ll travel in her company by a long shot.

Ai Weiwei/Andy Warhol exhibition NGV = http://www.ngv.vic.gov.au/exhibition/andy-warhol-ai-wei-wei/

United Kitchen website = http://www.unitedkitchen.com.au/

Elbow Room website = http://www.elbowroomstkilda.com/

The Road to Little Dribbling – Bill Bryson

In summer it’s gridlock on the roads into and through Cornwall. To cope, most of the little seaside villages that charm – and even if we may never visit them they still do (‘Doc Martin’) – have giant holding areas on their outskirts. From them holiday makers/day trippers are then taken by bus into into these tiny, narrow-streeted places to witness their joys. It was at one such that Bill Bryson met Matthew Facey.

The latter was a parking attendant at the facility outside Mevagissey. Bill had endured an interminable drive into the duchy – Cornwall is not a county. He was heartily sick of constant hold-ups on the freeway so, on the spur of the moment, decided a quiet country lane into the Cornish resort would be preferable. Mistake. It was bumper to bumper chockers and it took him forever to get to its carpark. On arrival, not only was it packed to the gunnels, but there was a long queue waiting. Bill realised it was pointless to wait as to do so would mean he wouldn’t make his ultimate destination before nightfall – but, of course, he was trapped. So it was Matthew F to the rescue. He orchestrated the author’s about turn. In their manoeuvrings Bill discovered Facey did camera-pointing on the side. Bryson resolved to check out his rescuer’s on-line gallery and was impressed with what he saw. Turns out he is one of Cornwall’s most esteemed snappers and his work is quite lovely. I know. I checked it out too.

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Needless to say, as with all of Bill Bryson’s publications, ‘The Road to Little Dribbling’ is a gem. It’s a belated sequel to the tome that set him on the way – ‘Notes From a Small Country’. And it’s also a celebration, being that it’s twenty years since that break-through publication descended on us, making his name. This latest offering was to give Bill an opportunity to note and riff on all the changes in those years to the places he visited first time around – or at least that was his agent’s notion of what he should do. Bill, after some musing, decided he would take a different approach. He resolved to travel from the south to the north of the UK – but taking as his guide a vague following of longest possible straight line that can be drawn between those two compass points that doesn’t cross any water of the salted kind. We should emphasise the ‘vaguely’ bit. In the end he sort of criss-crossed the Bryson Line, working his way up from south to north – with numerous side excursions en route. The result of all this is an engrossing, funny and at times, even worrying read. Worrying because of the stupidity of humankind – numerous examples of which Bill is only too happy to point out to his readers.

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There’s a lovely review of the Anglo-American’s effort this time around, to be found on-line, by Richard Glover – himself having received some recent kudos as a writer of memoirs. RG claims there is a game of one-upmanship played by Bill B devotees revolving around which is the funniest passage to be found in all of author’s now numerous list of titles. These Brysonists are able to reel their anecdotes off word perfect. The reviewer cites some examples. It’s worth reading. I will never get out of my own mind the image of our man as a new arrival in the UK. He fronts up in Dover, landing on the doorstep of a prospective bed and breakfast and greeting its host with his underpants firmly attached to his noggin. The self-deprecating description of him reluctantly dipping his toe into the Pacific Ocean at Bondi, in his account of his travels in Oz, is pretty memorable too. He’d read of all the creatures in it that are out to kill unsuspecting bathers and doubted his prospects of survival – despite the thousands of fellow humans frolicking off the same stretch of strand. And, likewise, he doesn’t let us down in ‘…Little Dribbling’. He regales us with the account, early on, of how he bravely, without fear, walked up to the counter, during an infrequent visit to a McDonalds, intending to place a family order. Despite numerous attempts to get it right and having to deal with a clueless and incompetent pimpled dolt taking and entering said order, he is left enraged and had to be led away quivering by his ever-patient wife before blood was spilt. It was vintage Bryson and the choked chortles I was emitting reading it led my lovely lady to come post haste from another room as she feared I was suffering some form of apoplectic fit.

And also, with this wordsmith, there is always a background story to most of the sights he sees. One that particularly intrigues this time was the snippet of information he gave about a Taswegian. In the 1860s a railway company, the Midland, was searching for a new route into Scotland. Competitors had taken up the two seaboard options, so the controllers of the new player decided to construct right up the middle, receiving parliamentary approval to do so. Trouble was, right up the middle meant a section of the Pennines that was particularly inhospitable. The company had a go, but soon realised building a railway there was such a challenge it would more than likely bankrupt them. They asked the country’s lawmakers to give them permission to desist. As this was against the provisions of the contract they were refused and the company was forced to plough on. Fortunately they found someone willing to accept responsibility for the completion of the task. I’ll let Bill take up the story at this point:-
‘Almost nothing is known about Sharland other than that he came from Tasmania and was only in his early twenties. The immensity of the task confronting him was almost unimaginable and made all the harder by the privations of labouring in the wilderness. Sharland slept in a wagon and often worked for hours in drenching rain or driving snow. Even more remarkable, he did all this while suffering acutely from tuberculous. Inevitably, it caught up with him and, with his work almost finished, he retired to Torquay at the age of just twenty-five. He died soon after, having never seen a train run on the line he helped to create.’
That line, through the Yorkshire Dales, is now regarded as the most dramatic and scenic in the UK – but Bill’s right. I checked to see if the ether held any more on Charles Stanley Sharland and came up with zilch extra information, although there does seem to have been a UK book about him back in 2012.

Bryson has been chided by some critics for being so crabby in this latest release. He is very unhappy in many sections, dropping the f-bomb with unprecedented frequency in his ire. His piss-offedness knows no bounds as he vents his spleen at the state of humanity in the world around him. But in places he still finds the old-fashioned Englishness of the sort that first attracted him back in ‘Notes From a Small Country’ – a quality he feels, to his distress, is fast disappearing. But his delight in renewing acquaintanceship with it in some locations is palpable in his writing.

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In ‘…Little Dribbling’ he indulges in a fair amount of railing about the pressure the money-makers are placing on government to do away with the famous green belts of British cities – they want to cover them with mass housing and already are having some success in shearing off the green bits to allow this to happen. The author is most vociferous, persistent and eloquent in placing his arguments down on paper as to why continuing to do so would be a travesty. He laments the increasingly ‘Black Booksian’ nature of the service to be found in the retail outlets of his adopted country, contrasting it with the intrusive inanity of customer service in his birth nation. Which is worse is the question. He produces an extended list of his pet hates at one stage – these include people who say ‘stonking’; salmon coloured trousers and the men who wear them; the parents of any child named Tarquin and Meryl Streep when she’s being ‘adorable’. He despises the new ‘loudness’ to be found around a country once noted for its quietude, again likening it to what’s always been in the brasher US of A. He blames the mobile phone into which moronic chavs have to shout on the public transport and streets of the once more restrained UK. And don’t get him stated on the Chinese made tat that passes for souvenirs found in tourist hot-spots all around the country.

But amongst much ranting he gives us some marvellous yarns as well. There’s the story of the invention of the public park by the redoubtable Joseph Paxton and how a visit to it in Birmingham inspired the creation of NYC’s Central Park as a result. And he gives us a close encounter with a Beatle. He was gobsmacked at one stage to discover his home bordered on Ringo Starr’s estate and that his wife was encountering the legendary drummer in their village all the time, conveying to a stunned husband that she found him ‘…quite a nice man’ in their chats. Bryson, to his disgust, never laid eyes on him when out and about. There’s the tale of how the tongue twister ‘She sells sea shells by the sea shore’ became part of the parlance – and just who the real Eliza Doolittle truly was.

Spending time with Bill Bryson and one of his books is like shooting the breeze with an old mate. There’s only been one of his oeuvre I haven’t taken to and that’s the one they made the recent movie about. There are a handful of writers these days I would term global, as opposed to national, living treasures. I think this bloke has just about reached that stage.

Bill B’s website = http://www.billbrysonbooks.com/

Richard Glover’s review = http://www.smh.com.au/entertainment/books/road-to-little-dribbling-review-bill-bryson-has-another-romp-through-england-20151020-gkcjbr.html

Women Against the Stream

They all featured strong performances from female thesps, at the peak of their craft, in the central roles did these three movies. One would expect as much from Carey Mulligan, Cate Blanchett, Rooney Mara and Jennifer Lawrence. Their vehicles weren’t exceptional I would have thought, but three of the above, nonetheless, garnered Oscar nominations. And all played women who fought against/defied expectations as to how their gender should conduct themselves in a male controlled environment.

In viewing order, ‘Suffragette’, ‘Carole’ and ‘Joy’ entertained, but none of the three will leave a lasting impression on this viewer as the very best offerings on the silver screen do. Good competent film-making was patently evident in the trio – but none were correctly deserving of being amongst those listed for the best movie ultimate gong in the eyes of those sitting in judgement.

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In ‘Suffragette’, Mulligan’s character, Maud Adams, was a fictional battler who rose to some minor prominence in the movement and managed to be present at its historically defining moment. The setting was the immediate pre-war years of last century, just before an atrocious conflict stymied the momentum for female enfranchisement – a momentum that had been building over the previous decade. Maud was employed for peanuts as a washer-woman in an industrial laundry; she and her fellow workers considered fair game by the bosses for all sorts of exploitation, including sexual. As with Jennifer Lawrence’s Joy, Maud decides to find a way out from a hard scrabble existence. The suffrage leagues offered that for her, but in joining her local branch she loses the respect of her husband (Ben Whishaw), contact with her son (Adam Michael Dodd) and at times, her freedom – such as it was.

The Sarah Gauron directed movie conveyed well enough the view that these radical women constituted a threat to normal society and were treated in much the same way by the authorities as Islamic terrorists are today, especially once their bombing campaign commenced. The venerable Streep had a cameo as the venerable Pankhurst. Helena Bonham Carter was in fine fettle as a cause-supportive pharmacist – one who aspired to be a doctor, except that for women this was frowned on by the establishment. The devious patriarchal duplicity countering these ground-breaking female warriors for change was a police inspector by the name of Steed (Brendan Gleeson). His unrelenting persecution of these women became softened once he took a particular interest in Maud and for this film devotee, despite all of Mulligan’s considerable presence, the Irish actor stole the show.

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The next attraction left me wondering how the Academy could choose between them – and on what basis. Was it screen time; age; or the fact the senior woman had won previously and therefore was deserving of the higher category? We have come to expect sterling performances from Blanchett, so it really was Mara who was the revelation. Yet she has been considered to be in the lesser role so therefore relegated to the supporting category. Couldn’t split them myself. Of course Aussie Cate was pitch perfect in every way in her cool, reserved portrayal of a mature married woman manipulating Mara’s obviously attracted, but somewhat naive, Therese, into a lesbian relationship. For Cate B this, to my mind, was no where near the searing calibre of what she turned in for Woody Allen to receive the Best Actress Oscar a few years back.

The Eisenhower fifties weren’t the best of times to be engaging in not so discreet same sex coupling and soon the film morphs into a ‘Thelma and Louise’ type affair as the blighted duo take to the road. They are pursued by an unscrupulous representative of the older woman’s spouse. Hubby is out to get back what was rightfully his. Rooney Mara is eye-opening as the younger of the pair, playing the would be lover with a mixture of Audrey Hepburn and a doe-eyed ingenue caught in the headlights. The film was beautifully lit to be of its era, but the narrative, despite its subject matter, was somewhat laboured in places. ‘Rolling Stone’ described it as ‘One of the year’s best film’s.’ It’s not the end of January yet but already more than one offering has easily outshone it to my mind. I suppose it is all a matter of taste, but this is far from a classic.

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Joy Mangano invented a mop. The eponymous adaptation of her remarkable story is one of a woman whose revolutionary, but nonetheless humble, cleaning appliance became the fulcrum around which a business empire was built. She presented her domestic breakthrough to the world just when it was all turning better for the female in the workplace. But there was still a long way to go and Joy had many hoops to jump through to achieve her success. There’s much to enjoy in this ‘Erin Brokovich’-like saga – a small woman against a world of manipulating and grafting men. In the capable hands of David O Russell, ‘Joy’ never reaches the heights of his previous acclaimed productions, ‘Silver Linings Playbook’ and ‘American Hustle’, but with her same foil in those two outings, Bradley Cooper shining, Lawrence reigned supreme. The whole shebang is not a bad way to spend an hour and then some in a darkened room. There’s the added bonus of Robert de Niro as the father and Isabella Rossalini as Joy’s reluctant financial backer. The movie features some interesting family dynamics as Joy’s plans threaten to spectacularly unravel, also threatening to fracture the already fragile relationships between her not always supportive closest relatives. All very enjoyable, but it does descend into cheesiness on occasions and some aspects of the story do stretch belief. Had I cared enough about it I would have checked out the story of the real Joy to discern how much was fact and how much fiction – but I didn’t.

Would it be unpatriotic of me to say that I will be quite pleased if our hope for best actress is bested on this occasion? Nobody doubts her talent any more, but really – apart from maybe the sex scene – I felt ‘Carole’ was no real stretch for our leading lady. I haven’t seen all contenders in action, but I have my fingers crossed in the unseen there is more worthiness from a nominee than the above actresses delivered in these reviewed titles. Hope I am not being too harsh on Cate.

‘Suffragette’ trailer = https://www.youtube.com/watch?v=3HdQ0iVrl2Y

‘Carole’ trailer = https://www.youtube.com/watch?v=EH3zcuRQXNo

‘Joy’ trailer = https://www.youtube.com/watch?v=Ng7qMsbX3zM

Kiss

And then I turned the page in The Age – it was a while back now – and saw it. I was, to be honest, mildly shocked. Had I been standing, I would have taken, I think, a backward step. I shouldn’t have initially recoiled in that manner in this day and age, but I did. Showing my advanced years, I guess. Two women kissing – what’s that now? It was deemed fit to print in a daily newspaper so my reaction should have been more matter of fact. And, once I caught my breath and examined it more closely, I realised that this had none of the salaciousness that’s only a click away on-line. In fact, the image was nothing if not beautiful. But it still sent a frisson through me – and continues to intrigue, so much so I’ve been back to it repeatedly. Eventually I had to find out more.

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I still think to shock was the artist’s aim. Yes, artist. It’s not, as I assumed, a photograph. In fact it was a finalist for the Archibald Prize for Portraiture in 2014. And it seems I wasn’t the only one to sit up and take notice. It was a talking point at the time in artistic circles – but it didn’t achieve the ultimate gong in the awards. Pity.

A certain amount of its notoriety, if that’s the right word, came from the identity of one of the subjects of ‘The Artist Kisses’ being songstress Missy Higgins. I remember at the time there was a fair amount of conjecture around Missy’s sexuality – as if that’s anyone’s business but her own. She had been, up till then, coy on the subject – so what was she saying agreeing to sit for the portrait? These days she is married, heterosexually.

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The other, the bespectacled figure, is the artist herself, Sophia Hewson. Explaining her goals in submitting the piece for judgement in the award she states the aim was to ‘…create something equally portrait, self portrait, and examination of post-feminist self-objectification(??)’ Why Ms Higgins? ‘I sought out working with Missy because I belt out her songs in the car (I understand that bit). ‘I know her to be genuinely egoless with a deep respect for the artisitc autonomy, which meant she was willing to work with me outside the traditional portrait structure.’ She certainly did that.

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Sophia H only graduated, with a first class honours degree from the Victorian College of the Arts, in 2007. Already ‘Art Collector’ magazine has listed her as one of its top 50 collectable artists. She’s a multi-disciplinarian, engaging in sculpting and installations, as well as daubing. She has had a six month residency in NYC, met pornography stars in LA in research for future works and exhibited within her home state and without. She is not hugely represented in on-line galleries that I could discern, but she is obviously a talent to watch going forward. As to why she is an artist? Here’s how she responded in a 2010 interview:-
‘It seems to me artists need to get something out of themselves, I suppose they call it expression, but I don’t think it’s as pleasant a process as that, perhaps it is like that quote, a kind of exorcism. I think also for me there is a need to try and get down to the core of things, and there is a freedom I associate with being an artist or at least the possibility of a freedom.’

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The artist’s web-site = http://www.sophiahewson.com/

Greed

Despite being marketed as a dramedy (get it?), ultimately the movie leaves the viewer, if he/she is on the same wavelength as your scribe, depressed. I have been blessed by the films I’ve already seen in this mint new year. Several have been truly excellent – but this is the one that has had the most impact. One fears for society if this is what is still occurring – and the afterword before the end credits assured us all that it is. Of course it is America at the helm – who else? We in Oz were protected by some savvy enactments from our lawmakers back then, bless them, as well as the soft landing that China provided. Now China is out of the equation, will Australia, too, be dragged down next time?

Unlike the odious lot in Scorsese’s magnificent ‘The Wolf of Wall Street’, these guys didn’t get their kicks from a laid on lavish lifestyle of naked strippers, alcohol and drugs. These Wall Street warriors were more moderate in their private lives. Their adrenalin highs came from sober pursuits – those involved in making squillions. They’d do so, though, with nary a thought as to how their wheeler-dealerings affected anything else – whether that be the national economy or the countless mum and dad investors they were ruining in the process.

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Director Adam McKay, best known previously for the silly delights of ‘The Anchorman’ franchise, has been nominated for an Oscar with this offering. ‘The Big Short’ will probably not win best movie category if the odds (albeit now shortening) are to be believed, but I will be chuffed if he brings home the bacon as best director. What McKay has dished up here is full of laughs – and I think that is the nub of why it works so well. We’re laughing at a terrible event. We’re laughing even though it can happen again. We’re laughing when we’re also informed that the US banking system has Washington so much by the short and curlies that nothing, in retrospect, has been put in place to prevent future system meltdown.

That there is much explanation of the financial procedures taking place on the screen has been criticised by some reviewers. Although I failed to understand much of it, for me it didn’t detract one iota, nor the methods used by the director to present such info.

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Some of Hollywood’s best thespians were recruited for this project – Christian Bale (charmless and oozing body odour – you could almost smell him reek), Brad Pitt (rustic and reluctant until the crunch), Ryan Gosling (sleekly oiling out bad-ass vibes). All were sublimely good. Despite the vision of Margot Robbie in bubbles and sipping bubbly as she explained to us the finer points of shonky, but not illegal, financial practices these fellows indulged in, women didn’t figure strongly in ‘The Big Short’. Men ran the show, with none more initially ruthless than Steve Carell’s Mark Baum. For me his performance was the highlight. The Forty Year Old Virgin acted his socks off as the only one who developed any sort of a conscience over what he was about to do – but, in the end, even he hesitated only briefly. He knew the mayhem that was about to unfold, but as well the profits to be made when it did.

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So what did these finance bods do? Well, between them they worked out that the ‘sub-prime’ business going on between the banks in the US was rotten to the core – so much so that it would bring the whole shebang tumbling down. They not only knew this, but also exactly what would happen as it occurred and the exact date it would all unfold. They weren’t exactly right in the end, but it didn’t matter. They had manoeuvred for all they were worth to be in best position to benefit. The few in the know were all going to be very, very wealthy – despite the chaos almost culminating in the bankruptcy of the system when it did. And all what they did was perfectly permissible under law. A panic hit the financial markets of the world, bringing some countries teetering to the brink, but the American tax payer was forced to bail out the big banks, saving their skins. Much of these rescue packages were taken up with the bonuses paid to the high-flyers who were responsible for the whole mess. Thousands and thousands of average Joes and Josephines were left homeless as a result. There was no bail out for them. And our heroes – well they made the killing they expected.

It basically made me feel sick to the stomach. So much greed. Just greed.

Official trailer = https://www.youtube.com/watch?v=LWr8hbUkG9s

Six Bedrooms – Tegan Bennett Daylight

The headline described them as ‘Pungent Observations on the Twists of Modern Life’. Pungent? Well, yes. She pulls no punches, does Tegan Bennett Daylight, with some of her descriptiveness – the death of a friend; the truly awful taste of that diabolical elixir we all drank back in our formative years (Brandivino); the fragility of friendship as we first attempt to reject individuality to be accepted by the herd. And one could not fault the writing.

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The headline capped a review by critic and editor Peter Pierce. He lauds the author of these ten tales for being a ‘…morally astute, technically adroit, anti-formulaic and unsentimental practitioner of the short story craft.’ Tegan BD is all that, but for me there was something missing. Perhaps Pierce summed it up when he stated the collection exhibits ‘…virtuous skills but no flashiness throughout.’ He intended it as a compliment, but is that what it needed to have more of an impact on this reader – a dollop of flashiness?

I initially discovered this writer some time ago. I cannot recall which of her previous novels (‘Bombora’, ‘What Falls Away’, ‘Safety’) it was – too many years have passed and I cannot locate the record. It may have been the first listed as I have a vague recollection it centred around surfing. I do know I liked it very much and made a mental note to watch out for future publications. But sadly, they have been a while in the making. ‘Bombora’ was twenty years ago – it won the Vogel. ‘Safety’, almost a decade.

The stories in her latest reportedly did contain linkages with past books. And in some the characters make repeat appearances. They are slices of life taken from various stages of the journey we all make – childhood and through the teens to adulthood. A few characters are seen, as from above, in multiple stages. Conclusions, deliberately, are sometimes open to more possibility for, after all, that is life. They’re not sewn up neatly as a package. Just when this peruser was getting to know a protagonist and settling in, though, often a tale would terminate and we were on to the next. But I will say that with what the author has started here there is plenty of fodder for an extension into the longer form. There are novels awaiting within, Ms Daylight.

Despite the coolness of her observations, for me, this offering did not fully satisfy. Talent abounds – that’s easy to discern – and I do trust it is not another decade before the next title is placed on a shelf in a book store to tempt me.

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The author’s website = http://teganbennettdaylight.com/

Reckoning – Magda Szubanski

‘Is there anyone left who isn’t totally in love with Magda Szubanski?’ Well, yes in fact. Me. It is not that I dislike her. How could anyone do that after reading ‘Reckoning’? It’s just that, apart from her role as Sharon in the beloved ‘Kath and Kim’, she hasn’t been on my radar much. I have never seen ‘Babe’, nor her various shows (‘The D Generation’, ‘Fast Forward’, ‘Big Girl’s Blouse’) on the small screen. And yes, before you ask, I have nothing against females who make their living by making us laugh in one way or another. I very much love Kitty Flanagan, Fiona O’Loughlin, Denise Scott, Hannah Gadsby, Celia Pacquola – the list goes on. But later, in a review I found on-line, is the following statement, ‘Anyone who doesn’t adore Magda Szubanski the clown will be awed by Szubanski the A-grade non-fiction writer.’ Well, again I wouldn’t perhaps use the word ‘awed’ in this context, but there’s no doubt her memoir is totally deserving of all the accolades it has garnered to date. This lady has decided literary chops. But I am in ‘awe’ of her for another reason. It’s for her bravery, a few years back, when she came out on ‘The Project’. To do so was all class – and the supportive reaction of the bulk of the Australian public shows that we, as a nation, are ready for the next step. Come on Mr Turnbull.

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I also suspect, given time, the striking initial line to her memoir will be recognised as one of the best opening hooks in Aussie lit. ‘If you had met my father you would never, not for an instant, have thought he was an assassin.’ Her father, indeed, casts a giant shadow over this tome, as he does the author’s life. And he was a good man – a good man carrying the burden of memory. As a Polish freedom fighter he did back to the Nazis what they did in spades to everyone else.

Yep, some of the stuff in ‘Reckoning’ is pretty grim, but overall the book’s tone is uplifting – even inspiring in places. Magda’s spirit shines through, even when it seems the odds are stacked against her. And she has had some real battles to wage too – failed projects, her weight issues, her sexuality. Maybe the latter two shouldn’t be such, but sadly, in today’s media climate, they are – particularly for those in the spotlight. All are elaborated on frankly, but there are tales of levity as well. There is much of interest for this particular reader in her recallings – the contrast in her twin visits to Warsaw between pre the end of the Cold War and post. I enjoyed her taking us behind the scenes of ‘Who Do You Think You Are?’ – I have often wondered about the mechanics of putting together that wonderful show. But it’s the concluding chapters that are the most intensely moving of the whole exercise – especially the description of her final unpacking of what made her father tick.

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For a first-timer ‘Reckoning’ is an achievement. It holds interest throughout and is a book this scribe looked forward to returning to after daily impediments intruded. And I concur with the final sentence of that aforementioned on-line review, ‘Let’s hope the books keep coming.’

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Atmosphere of Hope – Tim Flannery

It looks as though I was born just at the right time – lived my life when the living was, relatively speaking, easy – at least for those of us lucky enough not to be a citizen of a third world country. My generation missed the most traumatic events of the last century, saw the Cold War off without nuclear catastrophe, then ushered in the digital age – for better or worse. That being said, we also did just enough to bugger up our planet for the generations that follow. But then, we will be gone before the real crunch hits. Our ineptitude and our belief in deforestation, dirty coal and petrol guzzling machines is now certainly starting to make our atmosphere an unhappy place. And it’s already paying us back for that. Those who come after us will need to clean up our mess if humanity is to survive in a manner we’ve grown accustomed to on our planet. Or find a way to cope with a very altered environment. They’ll be able to do that, won’t they?

Will those gifted scientists, following the not so gifted ones who were like a wrecking ball for the Earth over the last five decades or so, be able to find a way to suck all that deleterious CO2 out of the sky? Will they find somewhere safe then to put it all – or perhaps even make something useful to humankind out of it?

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Tim Flannery thinks that those brainiacs who are working on it now and down the track; the politicians in charge presently and into the future; as well as a more environmentally savvy general populace will have the combined nous to do this. Fingers crossed. There is much to be optimistic about, as reflected in ‘Atmosphere of Hope’. In general, though, it does make for some pretty depressing reading. Everything will have to go exactly right. At least, since the tome was written, there has been the hoped for positive outcomes from Paris. The two world leaders who were road-blocking progress for all they were worth – our own head-in-the-sand man Abbott and his mate, Canada’s Harper, have both been consigned to the dustbin of history. In Trudeau and Turnbull we at least have guys who think that the science has got it right.

Yes, Flannery reports, this science is on the march, starting to grapple and make some headway with the solutions required. And the greed of the vested interests in the ways of the past? Well, it is now being shown as what it truly has been all along – profit at all costs to benefit a small minority to the detriment of the masses. Despite this, it will still be touch and go.

I must admit, reading this, some of that aforementioned science had me glassy eyed with the plethora of figures Flannery used to make his various cases. He did his best to put it all in layman’s terms, but my difficulties with it didn’t detract from the impact his writings had on this reader. Some sections I truly found engrossing reading, such as the chapter entitled ‘The Great Disconnect’, discussing the gap between where the politicians are at as compared to those endeavouring to save us all. It is narrowing, but there’s still work to be done. And what’s to be done includes this – and it’s sobering. ‘The latest research…(has) found that more than 80 percent of known coal reserves, 33 percent of oil and 50 percent of gas must stay in the ground if we are to remain within budget.’ to get the emissions down to the Paris limits. Can you see the multi-nationals out there, plundering the Earth’s resources, laying down and taking that? Well, it’ll have to happen.

Geo-engineering seems to be the great hope – but it comes at a ginormous cost in monetary terms – and maybe also in the experimentation to get it right. It seems there are plenty of theories around to cool the planet by this means – from space sunshades to all buildings having white roofs. These range from sensible, no-brainer actions to those worthy of Dr Strangelove. Flannery examines the more plausible of these, declares some to be viable – but the cost, the cost. ‘Drawing carbon dioxide out of the atmosphere is, at the moment, an extraordinarily complex process involving mind-blowing quantum mechanics.’ But the Aussie climatologist is hoping that where there’s a will, there is also a way. He takes us through some models for this.

Yep, it seems, there is hope. It’s all not lost – but sadly he has given up on the Great Barrier Reef. He reckons it is gone for all money. As for many of the species we share this planet with, mega-numbers are on a quick path to extinction in the wild. They’ll find it impossible to adapt to the changes besetting them in the time they have left. We are already seeing it – think polar bears, orangutans, frogs. The list is long and salutary.

Yes, I am glad I read this book. I feel more informed and even a little more optimistic than beforehand. I have a fair grasp on the challenges ahead thanks to Tim F. I know the planet will survive the onslaught we have made on its checks and balances – and hopefully humankind will too, in one form or another.

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Abbe

It’s the one of Valentino and his wife that catches the eye, I think, in any on-line gallery of his work. It’s so redolent of an era – that of the first of the golden ages of Hollywood. This was the period that was the harbinger of our own age of the celebrity. As now, back then photographers were to the fore in satisfying the cravings of the public to get closer to the celebrities they adored. Look at that particular photo – she (Natacha Rambova) is exquisite – but Rudy, well he was something else.

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And the snapper to the stars who caught that now everlasting moment? That was one James Abbe. Reading his story it seems he was a ground-breaker in the art of capturing the essence of those early icons of the silver screens.

Abbe was first and foremost a photojournalist. Later in his career he was one of the trickle of western reporters to be allowed into Stalinist Russia to capture life under a dictator. He even met and shot the communist leader – many would have preferred that to have been with a gun. But for a fleeting few years he set the pace as the movie making business started to morph into the mega-dollar industry it became our lifetimes. He was quick to realise that making and selling prints of the performers, those who tantalised the imagination of Joe Everyone, could be a nice little earner in itself.

Growing up in Newport News, Virginia the young James Abbe began his infatuation with photography early. His father owned a bookshop and the lad, born in 1883, earned some pocket money taking snaps of the ships that came into the town’s harbour and then selling them behind his dad’s counter. By 1916 he was competent enough to have his pictures placed in various periodicals as the publishing industry started to realise actual photographs could enhance a narrative. He soon found it worth his while to move to the big smoke, NYC. His major break came with a photograph of prominent stage actors the Barrymore Brothers, at the time the kings of Broadway and soon to be seen in moving pictures. Following their trajectory, Abbe discovered there was money to be made in photographing theatrical types. For a while he specialised in capturing them in costume, but later diversified into what we today would term publicity stills. But it soon became evident that the eastern seaboard city wasn’t where it was at – he would soon have to heed the call to ‘go west young man’ where LA was the happening place. In 1919 Abbe became only the third camerasmith to seek his fortune in Hollywood, making an impact with Mack Sennett and others. He commuted between there and New York on a regular basis fulfilling engagements – the first bi-coastal lensman.

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By this time he was a family man, but the trappings of fame ensnared him. He became very involved with emerging superstar Lillian Gish. In 1922 he upended his marriage and followed Gish to Italy where she was filming. Thereafter followed eight years in Paris. Again he pointed his camera at the stars of the local stage and cinema, as well as visiting celebrities from all over. In 1927 he was off to Russia and from that point on photo-journalism became his chief priotity with his photographic apparatus..

But history will remember him for his renderings of the entertainment greats in those earlier years. He was, from the outset, a master of lighting. Initially photographers just used what was immediately available, usually that already present to light stage or screen performances. But Abbe was more innovative, placing banks of portable lamps adroitly to garner the texture he was after. His competitors, seeing his quality of product, were soon following suit.

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James Abbe passed away in 1973 after three marriages and an adventurous life. He was 91. Abbe was a recorder for an age that was a prelude to the present day’s contemporary media saturation – that dealing with the comings and goings of identities who are perceived to exude talent – and a few that seriously don’t. His images gave the fans back then a personal context to the thespians that they viewed on stage or screen. He allowed one to own a piece of the action. The masses could possess something linking them to those they fawned over from the cheap stalls of the early movie houses or worshipped from the posh private boxes of Broadway.

James Abbe on-line = http://vivandlarry.com/general-discussion/james-abbe-capturing-the-silent-screen/

by Howard Coster, half-plate film negative, 1933

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