For most of it I’ve had no idea about what’s going on; no idea whatsoever. I feel as if I need one of those family tree thingees, the sort some books provide to help out with tons of characters. I can’t get my head around those houses – House of Stark, House of Lanister, House of Baratheon and so it goes on. It puts me in a spin that I am so clueless. My lovely lady has no such trouble, but I don’t like to keep on asking for fear of spoiling it all for her with constant interruptions of, ‘What’s going on?’ So I’ve just sat back and let it wash over me – the whole glorious shebang with its, to me, mess of characters, hideous deeds, rapturous gore, triumphant and not so triumphant nudity and Machiavellian plotting. And I love it. I just love it. It’s the visuality, the immensity, the convolutedness. Is it the pinnacle of present day small screen viewing? After all, the experts now refer to these times as our golden age of television.
‘Game of Thrones’ is a marvel of the age, but it is only with this last released season that I have any notion of a handle on events as we close in on the final showdown. There is so much to relish – the dwarf, Emilia Clarke’s beauty, the stoicism of those guarding the Northern Wall, the White Walkers, those wildly gory weddings and the fact that, at any given moment, a major hero of goodness and chivalry can be hideously dispatched. I was talking to an acquaintance, just the other day, who has refused to watch any further seasons because they beheaded Sean Bean at the end of the first series. But anybody is considered fair game, as long as they don’t dispatch the dwarf. They wouldn’t, would they? Then there was the battle. You all know what I am referring to – the most amazingly choreographed clash that we have ever witnessed in our lounge rooms. The pile on pileness of it left me breathless. And then there are the dragons. I adore the dragons.
Canadian artist David Desbois has been caught up in it too. His regular job, appropriately, is in film and television. He plies his art part time, struggling to keep up with demand for his character work built around GofT and other iconic offerings of our popular culture. He, using coloured markers, creates collector card sets of the major stars of multiple series and franchises that may be readily viewed on deviantART. As well as his work on the behemoth that has emerged from George RR Martin’s sagas, he’s also come up with product from several other of my favourites, including my current obsession, ‘Dexter’, as well as ‘The Tudors’ and ‘Downton’. There’s also character studies for ‘Star Wars’, ‘Harry Potter’, the Marvel and DC comic super-hero gangs, together with much, much more. Check him out.
There will come an end, all too soon, for ‘Game of Thrones’ and no doubt I’ll feel the same way as I did when ‘Downton Abbey’, ‘Mad Men’ and the other series I became fixated on over the last decade ceased. After each, for a while, there is a tiny hole in my life, leaving me to seek something to plug it with. But I fail to see, I really do, how GofT will ever be bettered.
David Desbois on deviantART = https://daviddeb.deviantart.com/