Big Picture Man

Fintan Magee. Now there’s a name the rolls off the tongue in a Huckleberry Finn kind of way. But it wasn’t his appellation that attracted me, but a painting of Fintan’s that appeared in my newspaper of choice, the Age. He was spruiking an exhibition of his work at a gallery in Collingwood, the theme of which was related to the Queensland floods of 2011. Entitled ‘The Rebuild’, it featured a blue-shirted figure, ankle deep in water, carrying a faggot of wood. In the accompanying puff piece, penned by Philippa Hawker, the artist talked of the inspiration for it as the evacuation of the family home in Brisbane, desperate to beat those flood-waters as they inexorably rose. The painting was in a semi-realistic style that I am attracted too, so I clipped out the piece, placing it in my blogging folder for future reference.

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Eventually I came back to Fintan and took to the ether to see what else he had to offer. Out there in cyberspace I discovered work that quite frankly kind of gobsmacked me. Hawker’s article did talk of his passion for street art, but I found what he produced was on a scale I did not expect – it was magical and eye-opening. So much so that this lad from Lismore has gained a reputation as the Banksy of Oz. In an interview on-line he laughed at the comparison, stating the only factor he had in common with the enigmatic master was that they both used walls as their canvas. Their styles couldn’t be more different.

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Fintan studied fine arts in Brissy before he migrated to Sydney – the reason for doing so was that the city on the harbour had more available wall space on its streets and its authorities were less conservative about the art that went on them. He commenced using his art to beautify their urban landscape with his impressive imprint.

He comes right out and says he is impressed with painting big, despite the fact he has diversified into other genres as well. Here in Australia we followed in the wake of Europe and US in latching on to the concept of harnessing street art to rejuvenate the living spaces of city dwellers. And Fintan M was one of the first here to do so. The result is that his big ticket artistic abilities are now gracing buildings in many parts of the country, as well as overseas. He’s set on conquering the world with it.

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Shaun Tan has never been my cup of tea, but Magee stated he has been majorly influenced by the author/illustrator. They both, according to the artist, follow the same notion of their product being used to ‘…make an alternate world that runs parallel to our urban reality, something that you can escape to.’ Magee does it on buildings, Tan on the smaller space of a page in a picture book.

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In recent times Fintan has been invited to produce murals in Las Vegas, Atlanta, Moscow and the Tunisian island of Djerba. This year sees him in Rome holding an exhibition of his smaller offerings, plus decorating a couple of the Eternal City’s walls.

Asked what attracts him to such projects, Fintan replies, ‘I like the scale, I like working in public, I like making art that’s integrated into public spaces and part of people’s everyday lives.’ It’s impossible not to agree that he has been successful in that goal.

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Fintan’s website = http://www.fintanmagee.com/

Little Town, Big Hearts

Today my son married.

Sitting here in his town; just sitting in reflective quietude with the juice of the peat in hand, I know that what had just occurred had made for the best of days.

There were doubts it would be thus at day’s dawning. This little place, fastened on the western shore of Anderson Bay, was holding its collective breath for all knew of the couple’s plan. It was an audacious plan – but the rain was then tumbling down in scuds. All comprehended if it continued to do so the plan would have to be scuttled, to use an apt nautical term; the desire to create an occasion, that would linger long in the mind’s eye, would be undeniably somewhat spoilt, but certainly not irredeemably tarnished. How could it be?

The ‘Bulldog’ was central. It was intended that later this day the sturdy snub-nosed barge would carry its first substantial cargo, a human one, on arguably its most important journey. For on board there would be a bridal arch at the prow and a beautiful bride aft, waiting for her moment. With a red carpet stretched down its main (and only) deck and weighed down tables for succulent seafood treats, convivial signs had been strategically placed to urge all to ‘Eat, drink and be married’. If the rain moderated, that would doubtless occur around the main event. What would be celebrated was the culmination of two separate journeys, not always calm sailing, coming together in the ether at first. Then my son moved to the little town to commence building a relationship and a vocational life. The place he now calls home has become a sort of second abode for this relaxed old fella as our couple caught the travel bug. They saw me only to happy to attend to their two beloved canines, not to mention one defiantly independent cat. To me the little town is a place the sun always seems to shine. Would it also shine on their day of days – this day?

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The tides had been figured out long before and the decision on the date was fixed accordingly. The vessel, named in memory of a treasured workmate, taken well before his time, had been sweated on by my son with a posse of other workmates for long hours to make her ship-shape for the day. As this day in question proceeded, the scuds diminished in frequency and power. Then, just before the appointed hour, out came the sun. The blue-hulled barge looked splendid as family and friends gathered dockside, ready for her departure. As the Bulldog escaped the confines of the river, fine samples of local product from the briny were served from the tiny galley and a piper took his place, playing Hebridean airs. Our vessel faced into the swells of the open sea, turned and headed along the coast to a sheltered spot abutting the old pier. It laid anchor, the drawbridge forward was lowered and my son took his place, to wait, against background of sunlight dazzling off Anderson Bay.

Back aft the bridal party assembled. At their head, for the procession down the red carpet, a little girl made ready for her role. At times, in the lead up, she had felt overwhelmed by the awesomeness of her responsibility. Who would hold her hand? Where were Mummy and Daddy if there was a problem. But, one thing was for sure, in a gown sewn with love, she looked exquisite. The appointed time came. Hands were offered to help her on her way to spread rose petals afore her Auntie Shan and her gorgeous bridesmaids. Although her small valkyrian heart was beating so loud, she knew exactly what was required. She garnered together all the courage an almost four year old could muster, politely refused the hands and strode out amongst all those people she did not know. She did her task to perfection as her Poppy became misty eyed with pride and love.

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My son took a deep breath, turned and faced his bride as she approached. He flushed a little as he noted the beauty of this woman to whom he would attach his future, as she would to him.

Two venerable grandparents, one from each side, watched the procession and taking of vows, also with swelled hearts. They had seen many a wedding during their long years, but none surely so unique and so carefully executed as this. Out in the element that helped sustain the little town, the Bulldog gently rocked as a mint new married couple made their way back along the carpet to begin their mingling and to receive the congratulations that were their due.

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The Bulldog, successfully discharging its duty, raised anchor and sailed back to port, being gazed on by townspeople who lined the shore. Proceedings continued at the home of this family who have taken in my son, valued him for his many attributes, but at the same time ensuring he was firmly grounded in the culture of their calling and of the town. It is an amazing family he is now son-in-law, brother-in-law and husband to. My son made a speech – and he made a fine fist of that too. Looking on, his Dad couldn’t possibly be happier for him. So happy, in fact, that after some libation, his father took to the dance floor later this evening with his oldest mate and did some very fine moves and sprightly gyrations as the band pounded out a hip version of ‘Ring of Fire’.

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Sipping now on my Glenfiddich, I can reflect how perfect this day has been. At the festivities this evening I was seated with aforementioned mate on one side, the woman I adore on the other, with my daughter and that brave little flower-girl opposite. Now I am content with the wonder of it all. I know that She up there beyond the silver lining will smile on this union, as Bulldog will do likewise from his spot in the constellations. Best of all, I have a daughter-in-law to cherish.

Yes, today my son married.

Cuffs, Babylon and Assorted Brit Fare

I understand they can’t all be a ‘Downton Abbey’, ‘Broardchurch’, ‘Call the Midwife’ or ‘Doc Martin’ – sadly there’s just one more series of that latter gem to go. I understand that for the cost of one quality drama perhaps three or four reality/panel/quiz shows can be put to air – most of those being pure dross on the cheap. But, still, it’s somewhat deflating to have enjoyed the first season of a new series only to read, usually once you’re right into it, that the powers to be have deigned not to re-commission it for a second. ‘Cuffs’, recently shown on ABC, as well as ‘Babylon’, watched on DVD, were both subject to this indignity.

I doubt it will happen with these two offerings, but occasionally the clamour of public disappointment will cause a change of heart. This happened here in Oz with the excellent ‘A Place to Call Home’, picked up by Foxtel. In Britain, the fans refused to allow Michael Kitchen and Honeysuckle Weeks (love the name) to go away when last century’s second great conflict finished. ‘Foyle’s War’ was bought back to sort out matters when the Iron Curtain went up.

I would have thought both ‘Cuffs’ and ‘Babylon’ would be worthy of a second chance. They certainly right royally entertained my lovely lady and myself. Both contained lashings of action (‘Cuffs’ preference for police chases on foot rather that in automobiles was welcome), humour (very black in the case of Danny Boyle’s ‘Babylon’) and interesting back-stories involving the major characters of each.

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It was hoped ‘Cuffs’ would become the new ‘The Bill’. Reportedly the cast were distraught at its axing – most would have to look for new work to keep the wolf from the door. It was set in the faded gloss and glitter of England’s equivalent to the Gold Coast, the poor luke-warm substitute that is Brighton. ‘Cuffs’ displays plenty of this city’s underbelly. ‘Babylon’ was, to my mind, the somewhat better offering. An American whizz-kid (Brit Marling) is brought in to run the public image of Scotland Yard. She’s all for change and transparency and is championed by the Commissioner (James Nesbitt). The actor is in much demand and presumably had to juggle this with his remarkable work in ‘The Missing’. He’ll be replaced by David Morrissey in the latter for the second round of episodes, but at least ‘The Missing’ is coming back. In ‘Babylon’, it’s ‘Game of Thrones’ style as the Commissioner doesn’t last the season. This in itself may have been a part-cause of its demise. The result, in any case = more actors out of work.

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The demographic I am a denizen of, one of a certain age, love our fodder of the best of British on Auntie. Occasionally we’re outraged when favourite staples are purloined by the buying power of the commercial networks, only to have the flow of their story-lines completely buggered by mundane ads being shouted out at us. But now there’s a new player on the block as well, making the pickings for our ABC even slimmer. Foxtel’s BBC First has now the budget to get its hands on the newest product coming out of Pommy Land. At the time of writing, this pay channel was offering Le Carre’s ‘Night Manager’ (Hugh Laurie and Tom Hiddlestone), ‘Capital’ (Toby and Gemma Jones), ‘Shetland’ (Anna Chancellor) and ‘Dickensian’ (Stephen Rea and Caroline Quentin) to its fortunate viewers. Sure, some of these will make their way to free-to-air later on and be released on DVD, but it’s the changing of the guard, isn’t it? I wonder how many of these will be renewed for another season?

After all, quality and the tastes of the great British (or Australian) public do not always go hand in hand. Pity that.

Mediterranean Idyll (Not)

The once sleepy island of Pantelleria is a fragment of Italy, lying between Sicily and Tunisia. Due to its proximity to the latter, these days it is a stepping off point for refugees from Africa in the quest for a new life. ‘A Bigger Splash’ is set at the time when a trickle had begun, but was yet to become the flood it is today.

Paul, played by Belgium’s pride, ‘Rust and Bone’s’ flavour of the month, Matthias Schoenaerts, has come to the island looking for a quiet break with older lover Marianne (Tilda Swinton). She is recovering from an op on her vocal chords. It is a tribute to the actress that the script gives her necessarily little to say, but she conveys all she needs to through overt facial expression, pantomime and some occasional hoarse whisperings. It is a stellar performance. You see the lady is a former rock goddess, a Bowiesque chameleon. In her pomp, she played to seething stadiums. Paul is not too happy when she receives a call from her ex-lover Harry (Ralph Fiennes), saying he is on his way and bringing a surprise to boot. He knows Harry’s form. He knows he still carries a candle for Marianne and that she hasn’t quite got him out of her system. He knows the island’s quietude will disappear as Harry is full-on. Past fifty, he still disports himself as if he was half that age, with all the accompanying indulgences. And he is a motor-mouth of the first order. Paul knows the patience he will need to get through Harry’s visit will have to be extreme.

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The surprise turns out to be a young-ish lass who may, or may not be, Harry’s long lost daughter. She looks every bit of her supposed twenty-four years and the affection between daughter and dad, to put it mildly, seems somewhat unhealthy to all concerned. But Penelope’s eyes soon alight on Paul and you just know this girl, played by ‘Fifty Shades of Grey’s’ Dakota Johnson, has some mayhem in mind with people’s affections .

All four of the main players are required to get their kit off for this outing. Whilst the others are somewhat more circumspect, Fiennes wanders around starkers at the drop of a hat, so to speak. Swinton is far more mesmerising– that alien face of hers is really something and for me, watching her, is the film’s highlight. That and Fiennes’ Sir Mick Jagger parody. The Stones feature quite prominently in ‘A Bigger Splash,’ on several levels.

As it all goes belly-up for our quartet the offering does outstay its welcome somewhat. Paul and Harry have their inevitable squaring-off and for me, after all that was done with, well that was the place to tie it all together and roll the credits. But no, there’s an investigation to be done by the local police, with the inspector in charge plainly starstruck by a famous celebrity being involved. At this point it lost some of it’s attraction for this viewer.

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Director Luca Guadagnino certainly knows how to ramp up the hedonistic inclinations of Harry and his back-in-the-day squeeze. And, on top of all the other inter-personal machinations, we discover there may have been a little something going on between Harry and Paul, once upon a time, as well. This movie is an enjoyable experience as it transforms itself from something of a romp into a tale with more bite to it. The sun-dappledness of the cinematography is an asset and I did appreciate a more engaging performance in this from Ralph F than in the lamentable ‘The Grand Budapest Hotel’ – although I am sure many would beg to disagree.

And how do we interpret the film’s title. Well that might not be quite as obvious as it seems.

 Trailer for the movie = https://www.youtube.com/watch?v=1mOVgI0-pb4

The Legacy – Kirsten Tranter

You remember where you were when you heard of them – events so momentous you just know the world would never be the same again. For the Kennedy assassination I was asleep, woken by a teary mother with the sad news. For the death of Elvis, on my birthday I might add, I was enjoying a celebratory sudsy bath, but that soon changed when the radio told me of his untimely passing. With Whitlam’s dismissal, I had just come off class for the morning break when a teaching colleague, heading out to playground duty, imparted the news on passing. For this one, though, I was away from home, helping out on a school trip to the big island across the water. Someone had turned the tele on that morning in the staff quarters just as we were about to go out and wake up the students in their cabins at the Canberra camp-site. That was delayed as we took in the events and the repeated shocking images of the towers collapsing. As we eventually did the rounds, waking up the troops, we imparted the tragic tidings to our charges. I remember on the bus heading south to our next destination, Echuca, the driver had the wireless on a news channel so we could keep abreast of what was happening. Soon the students started ya-yaing for their music tapes, so I was in blackout till we reached the Murray. I felt as though my throat had been cut. Had it occurred today I’d be rivetted to some hand device en route.

So she was obliterated, wasn’t she, on that day? Ingrid had an appointment with her accountant during those fateful hours, either somewhere in the Twin Towers or nearby. After that date, she wasn’t seen or heard from again by those who loved her back in Oz. No remains were found. Gay and ailing Ralph, nonetheless, still yearned for her touch as he had been transfixed by her. He was appalled when she headed Stateside to marry the much older, super-sleek gallery owner, Gil Grey. Too ill to travel, he sent off Julia to do some sleuthing for him. He wanted to know every last detail about her life in NYC before the catastrophic event. What our heroine gradually discovered initially unsettled and confused. Then she really started to smell a rat. As she collected evidence Julia came across some very interesting, if flawed, companions of Ingrid’s during her final days. There’s the decipherer of writing who thinks he knows who that rat may be. There is one of Ingrid’s professors, noted for bedding students and colleagues, who succeeds with Julia as well. And what does the mysterious Trinh, another academic, who moonlights as a dominatrix, know about it all? Finally we have Fleur, Ingrid’s stepdaughter who, at four, was a child prodigy with a paintbrush, only to chuck it all in for the camera during her teen years. The more Julia delves, the more she discovers all is not how it seems.

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‘ Days of Our Lives’ soap it would seem on the surface, but Kirsten Tranter’s ‘The Legacy’ is in another realm completely compared to that mush. To come by the book I was actually reading a review of her latest, ‘Hold’, which seemed intriguing. It began to niggle me that the author’s name rang a bell. I checked on Goodreads to see it I had read anything by her in recent times, but nothing came up. Then, perusing my bookshelves, I discovered ‘The Legacy’ waiting patiently for me to get to it. So, before I shelled out on her third novel, I decided to see if she had potential by reading this her first, published in 2010.

I found ‘The Legacy’ quite masterful. It’s almost impossible to put down as the mystery of Ingrid’s departure deepens. The pacing is deliciously unhurried, all minutiae examined closely. Therefore it’s a slow-burning thriller and all the better for it – a cut above airport fodder I would imagine. Tranter is far more pre-occupied with the inter-relationships between the characters than she is with the bells and whistles of the genre. As Peter Craven, writing in ‘The Monthly’, opines, it also is ‘…full of suave and stunning evocations of Sydney and Manhattan.’ and as an added bonus, he continues, ‘…, this sparkling and spacious novel captures the smell and sap of young people half in love with everyone they’re vividly aware of, and groping to find themselves like an answer to an erotic enigma.’

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I am now in possession of ‘Hold’, as a result, as well as seeking out Kirsten T’s sophomore effort, ‘A Common Loss’. They will not linger on my shelves as long as ‘The Legacy’.

The author’s website = http://www.kirstentranter.com/

Young Odessa

Talk about a mutual admiration society. Writing in the Oz, venerable reviewer/’The Movie Show’ host David Stratton opined, ‘I don’t usually like to make predictions…But for once I’ll stick my neck out…Odessa Young will be an international star.’ On radio, during an interview for the ABC, the tender-yeared Ms Young told of her time at the Venice and Toronto film festivals last year. She reflected on the fact that she met and chatted with some of the world’s best known film celebrities, but when Stratton approached her she became tongue-tied in awe. Here, in real life, was the man she grew up with during her fixation on hearing his opinion on the latest of moving-picture releases.

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Attending two film festivals with her first two movies – what an amazing experience for a mere seventeen year-old. But the actress is no ingenue when it comes to acting. She has had a long apprenticeship in the television industry, most notably as a lead in Auntie’s adaptation, for teens, of ‘My Place’.

The two local products being showcased at the aforementioned exotic locales were both competently made – one considerably more worthy of a film festival than the other, in this humble scribe’s view.

The lesser offering was ‘Looking for Grace’, the better ‘Daughter’. In both Odessa Y could be said to have upstaged more seasoned old hands, such as Richard Roxburgh, Radha Mitchell and Terry Norris in the former. In the latter there was an even more stellar cast including Geoffrey Rush, Sam Neill and Miranda Otto. But whether she’ll be our next Nicole Kidman/Cate Blanchett remains to be seen. But she’s certainly off to a flyer.

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Sadly, neither of her newly released vehicles seem to be setting the world alight at the box office, although ‘Daughter’ is still in the cinemas and may pick up through word of mouth. It would be a pity for it to not get the bums on seats it deserves.

‘Looking for Grace’ came to us from Sue Brooks, who presented with the marvellous ‘Japanese Story’ back in ’03 – still one of my favs of the local product. Paul Byrnes, Age film critic, awarded ‘Looking for Grace’ a high rating of 4.5 stars, claiming it was as good, if not better, than ‘JS’. Wrong Paul. ‘Looking for Grace’ isn’t within a bull’s roar. Saying that, it was watchable and did have its moments of pleasure – Roxburgh doing his almost, by now, compulsory rumpled/addled shtick, as well as when Norris was on screen. But it lacked the magic ingredient of ‘Japanese Story’ that audiences responded to. It lacked heart. Still, it was Young’s debut and if Stratton is correct about her, that may be enough for it to be remembered and revisited.

‘Daughter’, on the other hand, is a different beast entirely. Novice director Simon Stone, as the great David S also predicts, is destined for greater glory based on the quality of this offering. It’s very much an Aussie take on Scandi-noir – chilly landscapes and life-battered characters. And it’s based on Norwegian playwright Ibsen’s ‘Wild Duck’ – somewhat loosely. The drama is taught, tight and bleak. In a high country timber town, populated by brittle denizens, the local saw mill closing down impacts majorly. As well, some are carrying deep, dark secrets that come to the fore when wretchedly self-centred and alcoholic Christian (Paul Schneider) returns to Oz to attend the wedding of the town squire (Rush). His bride is a much younger woman, his former housekeeper in fact. It’s an engaging turn from Anna Torv. His arrival sets in motion a series of revelations that will tear lives asunder. The climax is almost unwatchable; the ending not at all happy-ever-afters, nor are strands tied up neatly in a bow. This, though, unlike ‘Looking for Grace’, will stay with the viewer.

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So David Stratton and I will watch Ms Young’s future career with much interest. I suspect he’s right. Obviously he’s made a mark by being mostly right about such matters. And she is very at ease on the big screen, with her performances, particularly in ‘Daughter’, very brave. Worth seeing the movie for that alone. And she is still so very, well, young. If ‘Daughter’ does go the way of ‘Looking for Grace’ maybe Hollywood will come calling and will place her in something to make the wider world sit up and take notice. Odessa Young is the future.

Trailer -‘ Looking for Grace’ = https://www.youtube.com/watch?v=7KboDXLZM3o

Trailer – ‘Daughter’ =https://www.youtube.com/watch?v=TaC-SrFdRZg

Pug in the Landscape

It’s a fair point Corwin makes, during an interview for ‘Inside Art’, when he states, ‘The really amazing and really terrible thing about the internet is how easy it has become to find new artists, and see everything they have done. Many people don’t see the need to support the artists they enjoy on the internet, which makes things even more difficult.’

And I, along with millions of others, fit that category. Of course, had I the necessary, I could see myself as a financial benefactor to people like him – but that will never be. But I do try to share my enthusiasms with others, albeit in a very limited way. Those writers, musicians, artists and photographers out there in the ether give me so much pleasure and I do attempt to spread the word – which brings me to pugs.

It seems of late, if one walks into a gift or card shop, there’s many a pug regarding you, tempting you with that adorable squashed-faced cuteness. I am a pug lover from way-back though – before they became canine flavour of the month. The inspiration – well, her name was Cleo.

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These days, although I don’t have the privilege of having my own hound, there is still plenty of doggy love in my world. At my second home, my son and daughter-in-law’s pets make up for it. Oscar has been part of my life for so long now, with his constant companion, Memphis, a joy to be around. There is also next door’s Bella, as well as the other dogs we visit – Summer, Bronson, Ada and Jasper to mention a few.

Why no dog? Well, I guess owning a dog is not as easy as it used to be. There is expense involved, especially when we head off on travels. And then there are all the dos and don’ts petty officialdom have introduced – following a dog around with a plastic bag and scooper is not for me. It was far more lax when I was a kid and I seem to remember there were always animals to love in our Burnie home – cats, various bird species, rabbits, tortoises, blue-tongues and my father, bless him, had a thing for tropical fish. As an adult there was Jeannie. Named after a favoured pupil, this springer spaniel was so loved in the days before Katie and Rich arrived on the scene. I was devastated when she came off second best to an automobile.

But it has been Cleo that has left the lasting impression down through the years. I am pretty sure I once wrote a poem about her for a school magazine. I’d also be pretty sure that my dear mother, knowing her, would have that ode stored away somewhere in her extensive family archives and could readily produce it if asked. And I think Cleo was pretty liberal in her favours around the neighbourhood as she always seemed, in my mind, to be pregnant or suckling a litter. Her offspring were always of indeterminate breed – I don’t think we ever hooked her up with one of her own kind. Despite their rough pedigree, we never seemed to have trouble disposing of her offspring – and it was fun trying to guess from their appearance the local ‘tramp’ responsible for the outcome. But I also know, that without doubt, Cleo was family and at the time it would have been impossible to imagine life without her.

I have no recollection of what ended her life. I am hoping it was old age – maybe that occurred during my uni or early teaching years – but I couldn’t be sure. Undoubtedly Nan will fill me in once she reads this. Cleo, though, left a through-line that continues to this day. Sister Frith has owned another beloved pug, Barney – and her daughter Peta has her Mia. And she would be loved to bits too. And this brings me back to Corwin.

Yellowstone

Corwin Prescott owns a pug – Franco. He – Corwin, not the pug – is an internationally exhibited and published photographer. He’s known for his fine art nudes, particularly taken in landscape, as well as portraiture. But it wasn’t either of those genres that initially attracted my eye – it was his magnificent vistas of wilderness, minus any human form. They really made me sit up and take notice. I know a small laptop screen didn’t do them their full justice. But I envisaged them in huge scale, occupying considerable gallery wall space. Even so, what I did espy gave this armchair traveller an inkling of the grandeur of the places he visited to capture his magnificent images. It’s remarkably fine camera-smithery. The one that held my attention, in particular, was that of a buffalo emerging from the mists of Yellowstone National Park. It took my breath away, particularly knowing the history of those magnificent bovines.

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‘As soon as I started taking photos I was doing portraits in the woods I would escape to when I was a kid. I’ve always felt safer surrounded by trees than people, so my photos of landscapes and nudes in nature are sort of my own meditation. They help me to relax and try to share all of these special places people tend to overlook with others.‘ Obviously, as this quote would indicate, checking out his website and galleries on-line, there is much that is NSFW, but his figurative work is worth a gander if nudity doesn’t trouble. But in many, if not all his journeys into the realm of nature at its wildest, there may be another companion, apart from his muses. He is worthy of a gallery or two of his own; an annual calendar even. I looked at Franco and memories of Cleo came flooding back.

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Prescott is a Philadelphian, graduating from the Antonelli Art Institute in 2008. Over the last five years he’s criss-crossed the US, attempting to travel and take images of every state in the union. The national park system is another fixation. And I’d like to think Franco is always with him on his adventures. ‘As a species we have drifted so far from the forest that just to hang out…in nature means exposing yourself to so many elements we aren’t equipped to handle any more.’

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So here I am Corwin, doing my little bit, putting your name out there amongst the small circle who read my scriblings. Accompanying my words will be tangible proof of your talent – and one never knows, it just might lead to something tangible to your benefit. More than likely not, but it’s my way of saying thanks for what you have placed in the ether for us ordinary, financially challenged art lovers to take pleasure in. And give Franco a pat from me – a denizen of an island not without its own attractions, nature-wise.

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Corwin Prescott’s web-site = http://www.corwinprescott.com/

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Van Diemen's Land – Murray Johnson + Ian McFarlane

The frontier wars around our country have been a cause, in recent decades, for fervent debate between historians, played out in the media and in books. On our island the years of the so-called Black War caused fear on both sides of the conflict, but ‘war’, given the numbers involved, stretches the definition. Rather, it seems to have been a series of skirmishes, frightening nonetheless; often violently savage for the combatants and civilian populations. It was a battle the First Tasmanians were never going to win, given their decreasing population, internecine warfare, the ravages of disease and lack of fire-power. This was followed by a sad-beyond-words demise for them, only to rise as a recognised entity to again be a force to be reckoned with, in another sense, in more recent times.

Murray Johnson and Ian McFarlane, both steeped in the history of our first peoples, trace their story further in the one volume than has previously been the case, to my knowledge. Much of what ‘Van Diemen’s Land’ contains has been covered before, but the authors take the history from pre-contact times right up to the modern day – in fact to the recent controversy over the Brighton Bypass. The tome included accounts of the atrocious treatment of the Aborigines by the Bass Strait sealers around the time when the first European settlements on the island were being established; the second ‘war’ on the island between the local North West clans and the VDL company which lasted long after hostilities had ceased in other areas; as well as what happened on the islands after the cessation of Wybalenna. This last section was particularly welcome as it covered a stage that I knew scant detail about, a period from 1850 to1970 being accounted for. The traditional story, as I learnt at school many moons ago, ended with Oyster Cove and the death of Truganini. We now know, of course, that the presence of people of Aboriginal descent had a history that continued on.

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All of the book is couched in prose that is eminently readable, patently well researched – as well as being, in parts, immensely disturbing. It also introduced me to some new players. The two Georges (Arthur and Robinson) are well known, as are Truganini and William Lanne. Those interested in the history of our state will know of the dark side of John Batman, thanks to Rohan Wilson’s novel ‘The Roving Party’. On the other side there are the resistance leaders such as Woorrady, Mannalargenna, Umerrah and the import, Musquito. And in present times there is a warrior of a different nature, Michael Mansell. But the newcomers to the list are as equal in fascination, as far as I am concerned, as the aforementioned.

Firstly the two scribes introduced me to the combination of Gilbert Robertson and Black Tom. Robertson (1794–1851), coloured colonialist and newspaper editor, was the son of a West Indies planter and his slave mistress. He was raised and educated by his well-connected grandfather in Scotland. Robertson arrived in Van Diemen’s Land in 1822 as a free settler. In 1828 he led the first ‘roving party’ to bring in Aborigines who had been waging attacks on white settlers. He was appointed chief constable of the Richmond district, but was remarkable in that he saw the Aborigines as patriots engaged in a war of resistance against the invaders. This is despite the fact that his party may have killed outright a number a number of them. He incurred the wrath of the establishment by standing up for the rights of the indigenous people, arguing that they should not be hung for their ‘crimes’, but treated as prisoners-of-war – not a popular opinion at the time. Given that, in at least one case he was successful in saving a life. As a whole the roving parties, with Batman to the fore, generally killed more than they bought in, even after Arthur put a bounty on those captured to be taken, initially, into incarceration. Robertson’s relationship with the Governor was frosty, but he absolutely despised Robinson. Robertson was the first to suggest a conciliator be appointed to go into the bush and peacefully bring out those remaining original inhabitants still scattered around the island. He obviously saw himself in that role. Arthur dismissed this idea, preferring the notoriously unsuccessful notion of the Black Line. Later, as it was obvious what a folly the Line was, Robinson put himself forward as Protector and swore it was his idea alone, even if his eminence vaguely remembered he had heard it all before. Robertson was livid, particularly when his right hand men were stripped from his service to go bush with Robinson; the latter having convinced the Governor to give him the gig. One of these was Black Tom. As editor of a local newspaper Robertson vented his spleen, with the result he was several times imprisoned for libel. All of this angst caused him to quit Van Diemen’s Land to become the agricultural superintendent for the Norfolk Island penal station. He was a newspaper editor in the Western District of Victoria when he died of a sudden heart attack in the middle of a heated political campaign.

His off-sider, Black Bob, was a white-raised Aboriginal who became involved in Musquito’s rampages early in the conflict. When captured he was spared the noose and sent to Macquarie Harbour to serve time. After his release, he became a skilled tracker for Robertson. He was then ‘seconded’ to Robinson’s mob as they trawled the back blocks for native inhabitants. He eventually ran out of steam at the fledging settlement of Emu Bay where he died of dysentery in 1832.

The north-western frontier features again through a female warrior, a Tommeginner woman, Walyer. She’s been sometimes described as the Tasmanian Amazon. Born in the Table Cape area, she spent her teenage years with the Straits sealers; whether willingly or abducted is open to conjecture. There she picked up a command of English. She later returned to her home area with a mini-arsenal of firearms. It’s possible she first used weapons on her own people during her time on the islands, but on returning back to the mainland it seems she was ready to inflict some pain on the whites for their many injuries to her kind, although again historians are conflicted on her exact motivation. She was soon joined by like-minded souls to become the only female resistance leader ever recorded on the island. But she didn’t evade the sealers for long and they caught up with her in 1830 – or again, did she flee back to them in response to the whites, none to happy with her after her rampages along the mainland coast, turning up the heat. When she attempted to kill one of their number the sealers gave her up to the authorities. Robinson, whose progress had been impacted on by this amazing woman, on hearing of this, stated in his diaries that it was ‘…a matter of considerable importance to the peace and tranquillity of those districts where she and her formidable coadjutors had made themselves so conspicuous in their wanton and barbarous aggression‘. It was, he thought, a ‘…most fortunate thing that this woman is apprehended and stopped in her murderous career…The dire atrocities she would have occasioned would be the most dreadful that can possibly be conceived.’ She died in 1831 of influenza. At a time when Aboriginal women were regarded by most whites they had contact with as chattels to be used for sexual purposes and traded, her defiance was remarkable, despite much of her story being unclear.

wayler tasmanianaborigine

Even if they didn’t become warrior-women like Walyer, there were others of the female gender prominent in the history of these times. Richard Flanagan wrote a novel based around the unfortunate Mathinna; Dolly Dalrymple’s achievements are well chronicled as are those of Fanny Cochrane, who made the first sound recordings of her people’s language. Another great voice for the First Tasmanians – and whose story I had not previously encountered – was Lucy Beedon, the Queen of the Isles. She initially came to light when Francis Nixon, the first Anglican bishop of Van Diemen’s Land, visited the isles of eastern Bass Strait in 1856. He was most impressed with her as she had taken on the responsibility of educating the islander children. Daughter of sealer Thomas Beedon and his partner Emerenna, she was schooled on mainland Tasmania whilst her parents were settled on Badger Island. Here she embraced the Christian religion, learned to read and write as well as, eventually, developing a head for business. When she returned to the Furneaux Group she became a force to be reckoned with by all those ‘outsiders’ trying to take advantage of her people, especially in the dealings over the mutton birding rights. By her early twenties she was already a formidable woman due to her massive size and intelligence. She became lessee of Badger island, remained unmarried all her life and devoted herself to managing the islanders’ financial affairs. During her time in the area she transformed it from its perception as being populated byan idle, alcohol-sodden population to one of sober industry where, most importantly, women were treated as equals. Eventually her duties took her away from teaching so she set up a school with an employed instructor. Family fragmentation became, for the most, a feature of the past for now, under her guidance, a future could be had without leaving home. It was a sad day when she passed on, age 58, in 1886.

Lucy Beedon

There are so many other interesting ‘characters’ to be met between the covers of ‘Van Diemen’s Land’. Read of Deloraine’s Paddy Heagon, alleged to have possessed a swivel gun (a small type of cannon) to dispense with the local first peoples. Discover what was the shocking incident that took place at Cooee Point, near Burnie, that almost blew the lid off the VDL Company’s covert policy of extermination in those parts it held sway over. What was the impact of Bishop Montgomery (who produced a famous son you may of heard of) on Aboriginal affairs during his tenure in Tasmania? What was the cause of the feud that schoolteacher Edward Stephens, half addled with drink, had with the community’s policeman on Cape Barren Island to caused shots to be fired? How was it possible for the islanders to cope for so long without any modern conveniences, or any assistance from the powers to be? And in these pages you can read stories of the forced removals of children from their families – another tale sad-beyond-words. Lastly, there was that terrible word – ‘octoroon’.

But times change and in our new millennium, to be of Aboriginal ancestry, is a badge of honour. There is no more of that nonsense of Truganini being the last of her kind, as was so often referred to in school curriculum when I was growing up. Some of what was so wrongfully taken away has been reinstated, although much more needs to be done. Conciliation is afoot on our island, as it is on the big one across the water. Hopefully that will soon be ratified in the constitution. The two authors are to be commended for their wide ranging account of a story that should never be lost in the mists again. It is an account that the venerable Henry Reynolds has rightly described as, ‘A study that will remain essential and relevant for years to come’.

Elbow Room

As is my wont on trips to Yarra City, I went all snap-happy with my camera. And I did manage to produce a couple I was quite happy with. But the image from the five days in Melbourne that stands out for me wasn’t taken with my reasonably expensive apparatus, but by my daughter on her mobile phone. I do wonder if the days of cameras, like mine, are numbered. It seems what I can do with it she can do as well, if not better, on her phone. I’ve even noticed that UTAS is now offering an associate degree in arts, teaching, amongst other aspects, ‘…how to get the most out of…mobile phones (and) tablets…’ for photography. But that’s an aside. The image in question was taken at the end of a most pleasant restaurant experience on Fitzroy Street’s Elbow Room.

ElbowRoom05

In culinary terms, this trip to Melbourne saw some firsts for me, which probably indicates how in the Dark Ages, food wise, I am. I was introduced to edamame beans, tapas, Singapore noodles and fajitas. The beans and tapas, I found, were much to my liking in their deliciousness. As for the noodles, I’ve since discovered they’re amongst my lovely lady’s favourite dishes. She has had some unfortunate experiences with ordering them at local eateries so no longer does, so I have resolved to have a go at making the dish myself – fingers crossed. And at the Elbow Room I ordered something I’d never heard of prior to that night – fajitas.
Perhaps if you’re as ignorant of these as I was, here’s Wikipedia on that new (for me) delight:-
A fajita is a term found in Tex-Mex cuisine, commonly referring to any grilled meat usually served as a taco on a flour or corn tortilla. The term originally referred to the cut of beef used in the dish which is known as skirt steak. Popular meats today also include chicken, pork, shrimp, and all cuts of beef. In restaurants, the meat is usually cooked with onions and bell peppers. Popular condiments are shredded lettuce, sour cream, guacamole, cheese, and tomato. The northern Mexican variant of the dish name is arrachera. The first culinary evidence of the fajitas with the cut of meat, the cooking style (directly on a campfire or on a grill), and the Spanish nickname goes back as far as the 1930s in the ranch lands of South and West Texas. During cattle roundups, cows were butchered regularly to feed the hands. Throwaway items such as the hide, the head, the entrails, and meat trimmings, such as the skirt, were given to the Mexican cowboys called vaqueros as part of their pay. Hearty border dishes like barbacoa de cabeza (head barbecue), menudo (tripe stew), and fajitas or arracheras (grilled skirt steak) have their roots in this practice. Considering the limited number of skirts per carcass and the fact the meat wasn’t available commercially, the fajita tradition remained regional and relatively obscure for many years, probably only familiar to vaqueros, butchers, and their families. The food was popularised by various businesses such as Ninfa’s in Houston, the Hyatt Regency in Austin and numerous restaurants in San Antonio. In southern Arizona the term was unknown except as a cut of meat until the 1990s when Mexican fast food restaurants started using the word in their marketing. In recent years, fajitas have become popular at American casual dining restaurants as well as in home cooking. In many restaurants, the fajita meat is brought to the table sizzling loudly on a metal platter or skillet, with the tortillas and condiments.
So I’m not sure how authentic the beef variety were at the Elbow Room that balmy Melbourne eve, but they had a zing that was spot on, were satisfyingly filling and made me wish I was a local so I could go back for more.
So how come the Elbow Room with the plethora of choices to be had around where we were staying? Well here’s its web-site descriptor:-
The Elbow Room is a fashionable restaurant/cafe/bar nestled between the palm trees at 19 Fitzroy Street, just metres From St Kilda Beach. Relax in the weekend St Kilda sunshine on our comfy outdoor timber furniture with an antipasto and a glass of wine or cold beer. Sip cocktails from our extensive list whilst watching the sun go down across the bay. Step inside our restaurant and find a candle lit, ambient space. Let our friendly staff guide you through our large menu and enjoy affordable, modern Australian cuisine.
The Elbow Room offers a great selection of local seafood, steaks, and fresh salads, with our menu identifying a number of vegetarian, celiac and gluten free options. The restaurant is fully licensed, stocked with a wide range of wines, spirits and cocktails.
Here are some comments from satisfied customers:-
Steve D – Fitzroy – I heard about the Elbow Room from my neighbour. I gave it a go and was very happy I did. If you want great food in a relaxed environment, then book now.
Lisa T – Bundoora – We were on holidays in Melbourne during November and we visited lots of restaurants. The last one we visited was the Elbow Room, wish it was the first! We’ll be back again some day.
Simon R – London – To be honest, I thought it was just going to be another night out with OK meals and lousy service. How wrong was I. Plates were full and staff were so kind I could’ve stayed there all night. Give it try, you won’t be disappointed
Mary L – Flemington – I took my business clients to the Elbow Room and we all had a wonderful time. I am happy to report we negotiated a new deal over a fine bottle of red. Good work guys!

elbow-room

I was staying in St Kilda with the little North Hobart family. Before venturing out each evening Kate and Leigh-lad would work their hand apparatus, scouting the vicintiy in search of a venue for our evening meal together. One or the other must of hit on the Elbow Room and we were soon heading down Fitzroy Street at a quick clip. Many other prospective diners were parading up and down, also on the hunt for a great spot for tucker, but Kate expressed satisfaction with the menu as displayed on the frontage of the Elbow Room, nodded her pretty head towards us and in we sauntered. Outside there were some diners in place, but in the interior we were the first arrivals. The night was still young and if the restaurant was up to scratch we knew others would follow, as they did in a steady stream during our time there. We were soon seated comfortably with a smiling waiter happily chatting away to us as he distributed menus and organised drinks. Our Tessa was in her element. Detailed discussion had ensued about her order during which she was an extremely active participant, considering all proffered options with due seriousness before she made a final verdict. When our food arrived we found it generous in quantity and tasty on the palate. After consumption, Tiges too gave it all her imprimatur of approval. Of course, having our young miss with us added to the pleasure – as I would have expected having shared previous dining experiences with her.

elbow-room-function

And the photograph? Sadly I only came in on the tail end of its occurrence. Our meal had wound down so Katie went up to the counter across the way to settle the bill. Tess reckoned she needed to part of that action and followed in her wake. She clamoured up on one of the tall bar stools, craning her neck to see what was going on and to examine all the very interesting stuff that was actually behind the counter. It was the guy taking our monies who asked permission to actually lift her up onto the bar so she could have a better view of her surroundings. Then the lovely fellow set about explaining to her what he did in his role as bartender/barista, much to the fascination of Tiges. This, for Kate, was a photo opportunity not to be missed and the image was duly captured.

I know I am hopelessly biased when it comes to my granddaughter, but for me the image is not so much about her but more the blue-shirted bloke who took time away from his duties to make the night of a little girl. She was so eager to have knowledge about the workings of his vocational world – and he cheerily complied.

All this was symptomatic of the random acts of kindness Tessa met with from working Melburnians during her adventurings in the city. Of course they all couldn’t be caught on camera in the manner of the Elbow Room that night. It was just a mini-moment, but with all the harshness there is out there in the big picture, it tells what a lovely place the world of ordinary folk can be. But being so attuned to that little presence in his vicinity, the guy behind the bar the evening of the Elbow Room was anything but ordinary.

bar tendering

To check-out the Elbow Room’s menu = http://www.elbowroomstkilda.com/

Cracking Up

That’s how Rampling describes it – as ‘cracking up’. Charlotte R is ruminating on her latest filmatic venture to be released here. In it a long standing wife is trying to hold it all together. Her husband is not always there in the present for her. But hold it together she does – well almost. Right at the end, maybe she has finally lost it.

45 years

We first meet Kate when she is out walking her beloved dog, Tessa, on the Broads where she resides with hubby of forty-five years, Geoff (Tom Courtney). She’s planning a big village bash to celebrate that anniversary as the one for the fortieth had to be postponed due to his health. Although he hasn’t been quite the same since, Geoff now seems robust enough for an event of that nature, if not overly enthusiastic about it all. He’s grizzled, dishevelled and very vague, but has promised to make an effort for the occasion. It’s been a childless marriage but contented enough. The childlessness, though, comes back to haunt when Geoff receives a letter from Switzerland.. It knocks Kate’s husband for six – he becomes mentally all over the shop, far worse than normal and Kate is determined to get to the bottom of why that should be so.

As the days head towards their weekend celebration the letter starts to dominate proceedings and not in a positive way. As Kate delves deeper the solid core of her relationship is shattered by what she finds.

45

The film counts down the days as it becomes obvious that the climax of the piece will occur at the event now neither really wants to take place, but it is too late to back out. Although all is far from well in their idyll on the Broads, they both try to put a smile on their dial as they face a multitude of friends. Knowing the background, it is not easy to watch and by the time ‘Smoke Gets in Your Eyes’ rolls onto the turntable Kate has reached crisis point.

Rampling won a Silver Bear at last year’s Berlin Film Festival for her performance as Kate. The veteran actress herself was coming out of a period of grief after the death of her own husband of seventeen years. Her counter to this was to continue working, including on this vehicle. She delivers a bravura performance, but for this viewer it was the equally venerable Tom Courtney’s nailing of the befuddled, rudderless Geoff that really stood out in what is essentially a two-hander. In Geoff, am I seeing a future not too far away now?

’45 Years’ continues the recent trend of the makers of movies waking up to the fact that, in greydom, there is a whole demographic, largely ignored in the past, still enamoured with actually going to the cinema. That is, as long as what they see is not kidnapped by CGI, superheroes and ear-drum splitting din. That many recent releases of a more subtle nature reflect their own stage in life is a bonus. This particular effort is also the antithesis of the light-hearted and fluffy fare also catering to this scribbler’s age group. Delightful as many of these are, ’45 Years’ is more cerebral. You could do worse than spend an hour and a half in Kate and Geoff’s company receiving a reality check.

’45 Years’ Trailer = https://www.youtube.com/watch?v=qXAnjA9tAnQ